ateie ex, 7 


eh tess. 92 eA, 2 


ae OLLECTION, SALE. 


Lt Uy, 0-44 
“Stock7of the late aH! rm of 
am Schaus, comprising paintings, 
-colors and drawings, sold at 
on at the Hotel Plaza ballroom, 
. 15, 16 and 17, by the American 
Association, realized $154,082.50. | 
sale was well attended by col- 
s frequently seen in auction fl 
mm pV. dealers) 
three old masters in the ele i 
and Horse,’ by A. Cuyp; “Land- ! 
with Canal,” by P. Breughel, the | 
sr, and “Landscape with Figures,” by | 
nisdael, brought $360, $400 and $600 
ctively. : 
significant feature of the lack of | 
sm of American collectors was | 
t out at the second night’s sale, 
a portrait of the great American > 
nan, the late John Hay, by an. 
rican artist, went to an i ietean | . 
for $65, and the portrait of the 
German statesman, Bismarck, by a. 
nan artist, went to a German buyer 
3,600. 
lowing is a list of the pictures 
brought $500 or over, with artist’s | 
é, title of picture, buyer and price: 


~“Calme sur E-eseaut, A+B. Johnson.. $525 ; 
“Mother and Baby,” Pi Wvikouss; os. 925 | 
P\Wasnine Day,’ P, W. Rouss...J..... 700 
s, “View of Delft,” Knoedler & Co.... 1,150 | 
mers, “Minding the Baby,” Tooth &; Sons. 800 
Maris, “Ducks and Ducklings,’ Knoedler 
eee STS ians wits Sak a aosis ctsle wwessxd oko see's os 710 | 
“Degel- Norway,” F. A. Ames... 600 
ismarck,’ T, Heinemann......... - 3,600 
ie over Cadore, ANY eICOUSS si 6s 15125 4 
>. Dieterle, “Cows and Pool, ” F, Layton... 1,400 
ite ee pubee wetter,” T. Heinemann ens ate 575 
ameng, ‘With Bonaparte mitaly,’’ O. 
RE IROSC SIG ra raya. oi'ajais aus gah bce 6c be op ccs ss 1,650 
yme, “The Tulip Craze, a J. (en Poyvarisio si 1,650 
1} Kaulbach, “Day Dreams,” T. Heinemann. 750 
1: Uhde, “The Flight,” T. Heinemann Spee ae 1,800 
__ Inundation, Place St. Marc,’ Georges 


m, 1ew Of c ; eti 

Galleries. cere CemM RAINS 8 ice grace 608, DOO) 

Mme. Dieterle, “La mets ah Troupeau ; George. ee 
Ay STI MEMO eG cst vicki ss Yok teat $52,000 


Mme. Dieterle, “lL Etang de nee poersane eZ 
ACR. Murray, kd o\ cei g em yee tiga eee nS 3,600 


berg & Little piece 


a 


oe ee G@tlberpaip, F: Draz...... 600 
Batoses,) Mrs: A. Plake...:. 52.5. 625 
. Cachaud, “Village Street, Moonlight ;’” 

Ww. eae ae $550 
. Bonheur, “A Mountain Donkey;” A. B. 

Re stele x isPo 2 as ose ose sins oie eo hs cs 600 
issonier, “Esquisse d’Une Troupe;’’ O. Ber- I 
J BYEG)0ID" G10 006 GAG ae Cee ae 550 
Maris, “‘Pasture and Cows ;” Knoedler & Co, 1,675 
feeeeseh, Mista Canal Near Baskop;” N. 


PE So ge 5 05, | SS SD a ar 1,050 
Maris, “Goose and Goslings;’’ W. W. Sea- 
No FOG Sac Gog ha Gee 2 900 
Maris, eA Pink on Shore at Scheveningen;’ ' 
ga ie AS) 3,400 
‘Ruisdael, “Landscape with Figures;” A. B. 
aot (on Son ab Drain eae eee eee 600 
m, “Public Gardens, Venice, Moonlight;” A. 

Be gobneon WERT EMI TEs orc lé ecco ete Fi ek oe 1,650 
n Marcke, “Sheep in Pasture;’ B. Johnson ~ "850 
‘Troyon, “Sheep in Pasture; ae I. ee 825 
Jacque, “Feeding Time;’’ Boussod Valadon 

| Sr Aion DA See 650 
omentin, “Hunting with Falcons; Georges 

| Petit Uo rice cscs tice es 5,300 
lion, “The Fisherman’s Return;” Georges 

| Petit Galleries CEMENT tn oec oy lo ln sis stbynie bo 500 
Dupre “The Pond;” Boussod Valadon & a. 1,050 | 
‘rot, “Morning ;” Georges Petit Galleries. ; 6,500 


Dupre, Pemormne;: Knocdier & Co........ 3,600 
tubigny, river landscape, ‘‘Harvest Moon;” 
Ie ao ose cbs dics oi vols so sans dae as 2,000 
az, “Edge of the Forest;’” W. W. Seaman, ; 
Teele 5 cia abies A> vg: susie mee ae oh 12,000 | 
‘Dupre, “The Old Oak;’’ Holland Galleries.. 1,150 © 
irpignies, “The Brook; ”? Knoedler & Soe 3,850 
Zin, “The Thaw ;” Knoedler (eal tore 8 Bieter sees 1,450 
Jaques, ‘‘The Shepherd ;’ R. Murray, agent 8,100 
Shreyer, “Arab Riders ;” Mr Schultheis..... 5,800 
hermitte, “The Reaper’s Lunch;” A. R. Mur- 

ay, See, co iualain ie a isacdie. 0s heb F Oe acs 6% 11,500 

2 Bock, “Milking Time Near Voorburg ;” BR 
W, Os ain gil ors sais + « 2,500 
|eissenbruch, “On the Shore;’’ Knoedler & 

Gok ase 3 ee ee 3,300 
Israels, ‘Domestic Troubles;” Wallis & 


ENGLIS 1 AGENT FORCED TO PAY 
HIGHEST PRICE AT SCHAUS SALE 


e Jeet eee e Bametie Trouble” Brings $13, 900 in) 
Battle of Bids—Collection es $154, oo 
O40 in Three ae 


jand_ buyers that f 
f pat the Plaza at. 
: | collection of oil 


was done at the third evening of the sale gee a Buisdael. fLandookpe with Fig- 


of pictures of the collection of the late Hr hes ao B. Fohnson- frente a Weta Wahi ae . 600 | 
f Hermann Schaus, which was held in the|" Moonlight? A.B. Johnsons). +. 1,650) 
Brand ball room of the Plaza last night.}Emile-Van Marcke, Sheep: in Pasture;’’ 


* A, By Johnson,.... iia 8 hoy Hansen 850 | 
‘The room was crowded, and at times the ‘Constant “PeSRON, “Sheep. in. Pasture;” 


: ‘offers came so rapidly that ‘the bidding ap-i J. Glendining. ..........0... 5+. sees eee 825 | 
Charles Emile Tacque, “Feeding” Time;"” . 


_ proached the frenzied stage. / Mf Boussol Walladon & Cos efoovic een aces - 650 | 
| | The proceeds from last night’s sale far|Eugene Fromentin, “Hunting with : Fal: 

ire Cons! Stollbere & ie, abe 5,300 
_ exceeded the total for the two previous} Antoine Vollon, ‘The Fisherman’s Re- . 


_ ‘mights. The highest price of the night and|, turn;’’! Georges (Petit Galleries.......... 500 | 
bj the week was paid for a picture by Josef’ Sules ‘Dupre, “The Pond,” Boussol Val- : Ba 
_ ‘Israéls, which went to Wallace & Sons, of |_ /adon Meme da ie ee SE ES RN LE ea aa tata 
Tender, tor $13,000. Thotr agent haa eome/e%®, eantiste Camille Cofot, "Mornings" 
L to New York especially for the sale to/Jules Dupre’s ‘‘Morning;’’. Knoedler & Co.. 3,600 | 
‘ ie this work, which was called ‘‘Domes-| Charles rascals. Fedral A land- vo 
tie Trouble... The bidding against the|, cape, “Harvest Moon;’’ R, C. Vose..... 2, | 
° ‘was lively, Messrs. Knoedler & Co., re Rovents”” ee -12,000 
_ the Georges Petit Galleries and Mr. Theo-} jules Dupre, ‘’fhe Old Oak;’’ Holland - | 
| ‘dore Heinnemann, of Munich, taking part) Art Galleries.....,......-..+- ++ SR is wel) 
ec ha ae Harpignie, “The Brook; 7 Knoedier sand 
' The total for the night was $117,335, mak- |. cnc Bind a eh tgY Lavoe epee Cente e 
ing the amount realized on the sale $154,- Jean Charles Cazin, the ‘Dhaw-Ks a! 


ECopee ate teen ee Sea ee 
082.50. The pictures offered last night! phates Pmile Jacques, “the Shepherd;”? 


brought good prices with few exceptions.| A. R. Murray... (0... nc. c eee eee tenes . . 8,100 
“Sheep in the Pasture,’ by Emile Van pe rere “Arab. Blaers;" Henry 
Marcke, was sold for $850. Mr. Schaus paid|, © Thess sueee sa errata tiReea GY Stars 


$4,000 for this a few years ago. The lowes 
price paid for a picture last night was $46. |: B : ng Tim 
Herewith is a list of the pictures which; V. ROWSS. 0.0. seer ee es 2s 
brought $500 or more, giving first the name|: 4 
of the artist, then the name of the picture, 
that. of the new owner and the price:— 
Francols Charles Cachaud, “Village Ba el 
Moonlight;’’ W- A. Granier...........0.. $550 
Mile. Rosa Marie ‘Bonheur, “A Mountain 
{ Donkey;’* A. B. Jobngon. 
_ Jean Louls Ernest Metssondir,. Bsa 
‘D'une Lroupe;’? O. Bernet.......... 
William Maris, “Pasture 
Knoedier. & Co.. Ue BBE Eee 
‘Johannes Hendrik. _Welsserbruch, “The 
Canal Near Baskop;’’ N, A. Gr Bt i 
Johan Barthold Jongkind, “Moonlight On si 
a.Canal;’? W. W. Seaman. . 
; William ‘Maris, “Goose and pesiner, Ww. 


¥ 


f 
! 


| 
| 
| 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING WEDNESDAY, JANUARY 10rn, 1912 


BELONGING TO THE ESTATE OF THE LATE 


Semen acp efor ME ST EI ‘ 


OF NEW YORK 


UNRESTRICTED PUBLIC SALE BY ORDER OF 
THE EXECUTORS 


On Monpay, TurspAy, AND WEDNESDAY EVENINGS, 
JANUARY 15TH, 16TH AND 17TH 


BEGINNING EACH EVENING AT 8.00 O’CLOCK 


FIFTH AVENUE, 581n TO 591TH STREETS 


“ 


ts Se 
fg eh OF 
u jf / 
/ 
7 f / 


ILLUSTRATED CATALOGUE 


OF 


THe VALUABLE PAINTINGS 
AND OTHER ART PROPERTY 


RECENTLY CONTAINED IN THE 


WILLIAM SCHAUS ART GALLERIES 
FIFTH AVENUE, NEW YORK 


TO BE SOLD AT 
UNRESTRICTED PUBLIC SALE 


~ By OrperR oF Mrs. Sopuiz J. ScHAuUS, EXECUTRIX, AND 
ADOLPHE ScHAUS, EXECUTOR, OF THE LATE 


HERMANN SCHAUS 
ON THE EVENINGS HEREIN STATED 


IN THE GRAND BALL ROOM OF THE PLAZA 


FIFTH AVENUE, 58Tru TO 59TH STREETS 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY, OF 


THE AMERICAN ART ASSOCIATION, Manacers 
NEW YORK 
1912 


Press of Tue LENT & GRAFF Company 
137-139 East 25th Street, New ‘York. 


‘ 


CONDITIONS OF SALE 


1. The highest Bidder to be the Buyer, and if any dispute arises between 
two or more Bidders, the Lot so in dispute shall be immediately put up again 
and re-sold. 5 

2. The Auctioneer reserves the right to reject any bid which is merely 
a nominal or fractional advance, and therefore, in his judgment, likely to affect 
the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to pay down 
a cash deposit, or the whole of the Purchase-money, if required, in default of 
which the Lot or Lots so purchased to be immediately put up again and re- 
sold. : 

4. The Lots to be taken away at the Buyer’s Expense and Risk within 
twenty-four hours from the conclusion of the Sale, unless otherwise specified 
by the Auctioneer or Managers previous to or at the time of Sale, and the 
remainder of the Purchase-money to be absolutely paid, or otherwise settled 
for to the satisfaction of the Auctioneer, on or before delivery; in default of 
which the undersigned will not hold themselves responsible if the lots be lost, 
stolen, damaged, or destroyed, but they will be left at the sole risk of the 
purchaser. 

5. While the undersigned will not hold themselves responsible for the 
correctness of the description, genuineness, or authenticity of, or any fault 
or defect in, any Lot, and make no Warranty whatever, they will, upon re- 
ceiving previous to date of Sale trustworthy expert opinion in writing that 
any Painting or other Work of Art is not what it is represented to be, use 
every effort on their part to furnish proof to the contrary; failing in which, 
the object or objects in question will be sold subject to the declaration of 
the aforesaid expert, he being liable to the Owner or Owners thereof for 
damage or injury occasioned thereby. 

6. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of the Purchases, no Lot can, on any account, be removed during the Sale. 

7. Upon failure to comply with the above conditions, the money de- 
posited in part payment shall be forfeited; all Lots uncleared within one day 
from conclusion of Sale (unless otherwise specified as above) shall be re-sold 
by public or private sale, without further notice, and the deficiency (if any) 
attending such re-sale shall be made good by the defaulter at this Sale, together 
with all charges attending the same. This Condition is without prejudice to 
the right of the Auctioneer to enforce the contract made at this Sale, without 
such re-sale, if he thinks fit. 

8. The Undersigned are in no manner connected with the business of the 
cartage or packing and shipping of purchases, and although they will afford 
to purchasers every facility for employing careful carriers and packers, they 
will not hold themselves responsible for the acts and charges of the parties 
engaged for such services. 


Tur AMERICAN ART ASSOCIATION, Manacers. 
THOMAS E. KIRBY, AvcTIoneEeEr. 


FIRST EVENING’S SALE 
MONDAY, JANUARY 15tx, 1912 
IN THE GRAND BALL ROOM OF THE PLAZA 


Firta AvENvE, 58TH To 59TH STREETS 


Brcinnine at 8 O’cLtock 


MLLE. ROSA MARIE BONHEUR 


FRENCH (1822-1899) 


No. 79— CHEVAL ATTELE 
is PENCIL DRAWING oe ) oy 
ne 8 ee eee 


Height, 334 inches; length, 434 inches 
Tue drawing represents a sturdy cart-horse almost in profile, facing to the 


right. It is distinguished by its careful study of the harness, which includes 
a breast-band instead of a collar and a string of bells attached to the headgear. 


Signed at the lower left, “Rosa B.” __ 


MLLE. ROSA MARIE BONHEUR 


FRENCH (1822-1899) 


No. so0— TOMBEREAU ATTELE D’UN CHEVAL 
PENCIL DRAWING () Si a 
JO = V4i ©. Onarnmne 


Height, 5 inches; length, 914 inches / 


Tue drawing, made with pencil on white paper, presents a careful study of 
the side view of a Parisian trash-cart and of the horse’s harness. The animal’s 
head, which faces to the right, is indicated sketchily. 


Signed at the lower left, “Rosa BonHEvR.” 


MLLE. ROSA MARIE BONHEUR 


FRENCH (1822-1899) 


No. 81— CHEVAL | ee 
PENCIL ve tee. YYVL- A 6 
- oe" 
/ 2 <a Height, 81 inches; length, 124 inches 


Execurep on olive-toned paper with pencil and a few touches of white chalk, 
the study shows a racehorse, standing in profile to the right. While the near 
foreleg has been drawn a little back, the off one is a trifle advanced. 


Signed at the lower left, “Rosa BonHEUR.” | 


MLLE. ROSA MARIE BONHEUR 


FRENCH (1822-1899) 


No. 82— ETUDE: MARCHE AUX CHEVAUX 


ete PENCIL DRAWING On. np e) cf ee 


Height, 5 inches; length, 12%, inches 


Tue sketch, done in ere on buff paper, seems to have been a study 2 The 
Horse Fair, now in the Metropolitan Museum. While it resembles the picture 
in general character it differs in several particulars. For example, the rear- 
ing stallion is being led by a man on foot, while the three horses at the right 
of the parade are not in the act of turning to the rear at a trot, but are shown 
in profile at a gallop. 


Signed at the lower right, “Rosa B.” 


MLLE. ROSA MARIE BONHEUR 
FRENCH (1822-1899) 


No. 83— VACHE 


PENCIL DRAWING 


Gh ee es Des ee 


Tue pencil study on gray paper of a cow shows the body of the beast facing 
‘to the left, while the head is turned to the front. The horns are short and 
curve in to the eyes. 


ect . e ° 
an O — Height, 111% inches; length, 16 inches 


Signed at the lower left, “Rosa BonHEvR.” 


JOHN LEWIS BROWN 


FRENCH (1829-1890) 


No. 84— STUDY OF HORSES 
PENCIL AND WATERCOLOR wy ttetie Ge 
ok “a ak Height, 81 inches; length, 111% inches 


Tue study is in pencil, washed over with sepia, white, vermillion and buff. 
At the left of the foreground a man, whose back is toward us, rests his elbow 
on the withers of a white horse. Over the latter’s neck a brown horse, stand- 
ing in the rear, lays his head. Parts of a third horse appear behind. At the 
right is a group of three figures; the center one reclining on the ground, while 
the others respectively stand and sit. 


Signed at the lower right, “Joun Lewis Brown.” 


ERNEST ALBERT MARKS 


BRITISH ( -1899) 
No. 85— BEACHED 


as ge WATERCOLOR ¢ (| Dp 
Height, 534, inches; length, 81, intgos (7 


Aw anchor lies at the left of the foreground of sand, which extends back to a 
horizontal strip of pale blue sea, ruffled with green, foamy surf. Clear of the 
water lies a fishing-boat with a greenish hull and brown masts and rigging. 
Two figures, one of them distinguished by a red cap, are standing on the sand 
alongside. Other boats, with sails spread, appear in the distance at the right. 


Signed at the lower right, “Apert.” 


ERNEST ALBERT MARKS 


BRITISH ( -1899) 


No. 86— LOW TIDE 


‘ 7 len WATERCOLOR i * Cath 
Height, 5%, inches; length, 81, inche 


Tue greeny-gray sand, which occupies the foreground, is cut up into pools of 
whitish water and sprinkled with stones. Some distance back a sailboat with — 
green hull has been beached. Beyond it, the water shows in a strip, feathered 
with sails. There are indications, at the right, of a jetty, with a pole at its 
extremity, supporting a lantern. 


Signed at the lower right, “Arpert.” 


ERNEST ALBERT MARKS 


BRITISH ( -1899) 


No. 87— OUTWARD BOUND 
WATERCOLOR é y Wd 
ac . ; it ; He 
ff og ae, Height, 6 inches; length, 914 inches (/ 


In the middle distance a steamer approaches, the water curling from her 
bow and smoke trailing aft. She carries two funnels and a square-rigged 
foremast, while the main and mizzen are bare. A bark appears in the distance 
at the right, while in the foreground at this side is a sailboat, containing a 
man in a blue jersey and another, distinguished by a red cap. 


Signed at the lower left, “Apert.” 


J. H. LANGRAND 


No. 88— ROCKS AND WATER 
WATERCOLOR 
Be pie Height, 54%, inches; length, 714, inches / | 


A ruccep bit of shore, composed of dark, greenish, rocky formation, occu- 
pies the foreground, extending in an irregular diagonal from the lower right 
to some brown, scrubby trees which adjoin a yellowish headland far back at 
the left. The suggestion of a low spit of land and a few trees appears at 
the right of the horizon whence the greeny-blue water spreads smoothly to- 
ward the front. Slaty-blue clouds streak the lower sky, yielding above to 
gray-blue atmosphere. 


Signed at the lower right, “J. H. Lancranp.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) = Sete q 


No. 89— A GOOD STORY 
WATERCOLOR 
ec 
it ek Chae reo Height, 12%, inches; width, 9 inches 


VW. 
A CARDINAL, attired in rosy-crimson shovel hat, cassock ‘an 
tied upon the chest with tasseled cords of gold tissue), stands reading a ne 
paper, his head inclined a little over his left shoulder, while a laugh plays 
about his lips. Behind him a flight of stone steps, flanked by a newel-post 
which is surmounted with a vase, leads up to a hedge of foliage with sharply de- 
fined leaves. 


Signed at the lower right, “Guisep. SiaNortn1, Paris, 14.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 


No. 90— A VENETIAN 


WATERCOLOR 


Cee Ne ees Bee ste) Ve hee ae 


A VENETIAN magnifico of the sixteenth centuwy is seated on an oak bench, 
against a wall that is embellished with two coats of arms, carved in yellow 
marble and let into gray marble panels. His left hand rests on the seat be- 
side him while the right holds a large service book, bound in blue. His cos- 
tume includes a pearly-drab and green satin damask robe, reaching to the 
feet. Its armholes reveal the sleeves of a doublet of crimson brocade, slashed 
and puffed with white at the elbows and shoulders. 


Signed at the lower right, “Guisrr. Stcnortn1, Paris, 105.” 


ROBERT DE CUVILLON 


FRENCH (1848- ) 


No. 91— HEAD OF A GIRL 
WATERCOLOR 
Se. 


Height, 12 inches; width, 91/, inches (?. V1 - ieouers 


A e1Ru’s head and shoulders are posed three-quarters to the right; the left 
shoulder being slightly depressed, as the head inclines over it. The bright, 
gray eyes glance to the left, while a faint smile plays over the rosy lips. The 
soft, brownish-blond hair, curling round the forehead, is dressed in the Greek 


style with a fillet and arranged in a knot on the crown. 


Signed and dated at the lower left, “R. pe Cuvitton, 1895, 210.” 


LUIGI LOIR 


AUSTRIAN 


No. 92— VILLAGE LANDSCAPE 


WATERCOLOR 


Lf Wh LD irnaite 
wee was Se Height, 934 inches; length, 1414 inches 9 (Y 4 YL Ke I 


G 
A woman, accompanied by a child in a bright white pinafore, is passing along 
the roadway, which crosses the foreground toward the left, where it is met by 
another road at right angles. Along the latter a man and woman are ap- 
proaching. ‘This road is bounded on both sides by light green grass, the plot 
at the right bearing a green apple tree and a bunch of trees smothered in 
white blossoms. It is intersected by two paths which lead back to a barn dis- 
tinguished by a long yellowish-brown roof, interrupted in the center by a gable. 


Two poplars appear at the left of the barn and beyond them meadows extend 
to distant hills. 


Signed at the lower right, “Loir Luter, No. 131.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 


No. 93— A CAVALIER : 
WATERCOLOR Ny C /) y 
we [ ~ ee ¢ / : 
ae Sr ia Height, 1314 inches; width, 10 inches (/ (/ 


A GENTLEMAN, in the Court fashion of Henri II., stands facing the spectator, 
with arms folded, his rapier slung behind, so that the hilt and point are 
visible. His doublet and trunks of puce-colored material are trimmed with 
horizontal bars, between which are vertical tucks. His purple beaver has a 
narrow brim and a high crown, embellished with a white plume. A short violet 
mantle, lined with white, is fastened with gold tasseled cords below the ruff. 


Signed at the lower right, “Guiser. Sicnorin1, Paris.” 


BRUCE CRANE 


AMERICAN (185'7- ) 


No. 94— WINTER 


WATERCOLOR : ff 
i of ; a O 
— es Height, 914 inches; length, 151%, inches. 


An expanse of snow shows the indications of a roadway, starting near the 
center of the foreground and sweeping back in a curve to the left. Its course 
passes two willows, which stand on the right, and reaches a spinney of scrubby 
trees at the left of the middle distance. Violet woods show along the horizon, 
where a bar of saffron streaks the faint violet sky. 


Signed at the lower right, “Bruce Crane.” 


= 


CHARLES EDOUARD DE BEAUMONT 


FRENCH (1821- ) 


No. 95— LADY WITH SWALLOW 


4 6 oe WATERCOLOR (? Vb. (ition Gave 


Height, 12 inches; width, 8 inches 


Waite a lady stands holding a swallow near her lips, a little child, in a pink 
dress, tied with a red sash and protected by a white pinafore, lifts up her 
hands to beg for it. The lady’s figure, clad only in a blue skirt and che- 
misette bodice, cuts the line of a gilded console table, on which a vase stands. 


Signed at the lower left, “K. pe Beaumonv.” 


LUIGI CHIALIVA 


ITALIAN (1842- ) 


No. 96— A PRISONER 
WATERCOLOR 
7g fe ate Height, 10 inches; length, 15'f4 | Ae), f 


oe an oe bounded at 
the back by apple trees and a 
barn, a woman is hammering 
a stake into the yellow-green 
turf, while a child holds the 
tether-cord of a nanny-goat. 
The mother wears a_ black 
dress and blue apron and a 
red kerchief wrapped round 
her head. The little one is 
dressed in a straw hat and 

pale blue pinafore. Beside 
the child appears a white kid, in which and on goat is another, marked 
with white and fawn. 


Signed at lower left, “LL. Cutariva.” 


PIERRE EDOUARD FRERE 


FRENCH (1819-1886) 


No. 97— A FINISHING TOUCH 
WATERCOLOR é 
) Sues Height, 14% inches; width, 11% inche ie “ 
} cs res; width ¥%, imches 3 ttt i 


boy leans forward, that his mother, seated at the right, may arrange hi 
tie. He wears a French schoolboy’s cap and an olive-drab suit, while the 
little girl is dressed in a black hood and reddish-brown frock. The woman 
has a red kerchief over her head, her figure being clad in a pale blue jacket 
and still paler apron over a slaty skirt. 


Signed and dated at the lower left, “Evouarp Frere, 85.” 


LUIGI LOIR 


AUSTRIAN 
No. 98— RUE DU PORT, ST. CAST 
WATERCOLOR 
Sie a 
Height, 10%, inches; length, 13% inches / Vp ; 
eig \, inches; leng ¥, inches ( /¥ oA ACA Ls iy f i 
Wuire walls and pale lavender-pink roofs distinguish the cottages which 
border the village street and almost enclose its extremity. Sunflowers and 
greenery cluster against the wall of a house, taller than its neighbors, which 
is situated at the left of the foreground. In front of it two women, carrying 
a basket between them, are passing up the street behind a fisherman, who 
carries a net on his shoulder. Coming toward the front on the right, is a 
small boy in pale blue coat, wearing on his head a French sailor’s blue cap 
with a red tuft in the center of the crown. 
Signed at the lower right, “Loir Lute, 118.” 
J. KE. BUCKLEY 
BRITISH 
No. 99— RETURNING FROM CHURCH 
WATERCOLOR 
tf fi 
if Ko ae ee Height, 101, inches; length 1614 inches LL AVL aK fi 4 fi 7% 


Tue background presents a village church, with low ivy-covered spire and 
red-tiled nave, chancel and porch. It stands snugly among trees, in the 
midst of the graveyard, which is raised and surrounded by a retaining wall. 
The worshipers, costumed in the period of the second Charles, are defiling 
along the churchyard walk, descending the steps in the wall or passing along 
a horizontal path that leads to a timbered mansion at the right. Meanwhile, 
the lord of the manor, supporting his lady on his arm and accompanied by 
his little daughter, is coming toward the front. 


Signed and dated at the lower left, “J. KE. Buckiey, 1870.” 


ALPHONSE MARIE DE NEUVILLE 


FRENCH (1836-1885) 


No. 100— FRENCH OFFICER : 
WATERCOLOR Wie dF 
Lf. SO ao Height, 164%, inches; width, 1214 inches 


A Frencu officer stands with feet apart, facing three-quarters to the right. 
His uniform comprises a lavender-pink cap; a bluish-black tunic, frogged and 
edged with fur; rose-colored breeches, with a black stripe down the seam, and — 
reddish-brown boots, reaching above the knees. He is reading a despatch 
which he holds in his right hand, while the green envelope and a cigar are 


in his left. His horse appears at the left of the background in charge of 
mounted orderly. 


Signed and dated at the lower left, “A. pe Neuvirrx, 1882.” 


ALPHONSE MARIE DE NEUVILLE 


FRENCH (1836-1885) 


No. 101— A GERMAN OFFICER 
WATERCOLOR fe) TPE 
af imi, ids (ies ic Y | Se ! hd Sf 
= Height, 19 inches; width, 124, inches (t 


( V 

A German officer stands facing three-quarters to the left, with legs stiffly close 
together. His uniform includes a slaty-colored cap, a purplish-drab tunic 
with yellow collar and cuffs, black breeches with a red stripe down the seam, 
and brown boots. A drab overcoat hangs loose from his shoulder. His left 
hand rests on the hilt of his sword, while the right holds a cigar. 


Signed and dated at the lower right, “A. pe Nevvitie, 1884.” 


G. BOURGAIN 


FRENCH (CONTEMPORARY ) 


No. 102— ~—*L*ARRIVEE DES RECRUES 


S ; ap WATERCOLOR a (9. WX KD Landen 


Height, 1214, inches; length, 201%, 


THe scene presents the deck of a French battleship, on which seven recruits, 
in blue, double-breasted reefer jackets are lined up behind their kit bags. 
Three more occupy the rear file, toward which a fourth is hurrying, while 
the head and shoulders of another appear over the gangway ladder, at the 
top of which a sentry is stationed. A lieutenant stands in front of the re- 
cruits, checking off their names, and two other officers at the right of the 
foreground are watching the scene. In the harbor, at the left, is moored the 
training ship, an old frigate, from which a man-o’-war’s boat is approaching. 


Signed at the lower left, “G. Bourcain.” 


JULES DUPRE 


FRENCH (1811-1889) 


No. 103— AN OAK TREE 


P CRAYON DRAWING ww L) ae ‘ og 

(gus a Lanne Sk 

oO ev Height, 1714, inches; length, 2014 inches 1) (e . 
THE composition involves a vigorous and truthful study of a European oak, 
with wide-spreading branches that are gnarled and angular and laden with 
tufts of thickly massed leaves. At the left and right of the foreground ap- 


pear indications of scrubby bushes, while in the center there is a suggestion 
of a pool. 


Signed at the lower left, “J. D.” 


JULES DUPRE 


FRENCH (1811-1889) 


No. 104— STUDY OF TREES 


PENCIL 
ru OO 

gma dd — Height, 10%, inches; length, 17 inches ol. le Min Neb lhy 7 Of 
Tue study is nande on buff ff 
paper with pencil and a little 
white chalk. Just left of 
the center stands an elm with 
branches and foliage bunched 
at the top of its straight 
trunk. Beside it is another 
with winding trunk that 
catches a little white light. 
Behind these trees are others, 
growing upon a knoll. At 
the right of the foreground 
stands a couple of trees whose stems curve over to the left. 


Signed at the lower (ts, Als, WEY 


JULES DUPRE 


FRENCH (1811-1889) 


No. 105— WILLOWS REFLECTED 


CRAYON DRAWING pa 


7 O se Height, 1714 inches; length, 23 inches - Stee : 
VW 


Ar the left of the composition, occupying some three-quarters of its width, 
four willows stand at the foot of a wooded slope. Their trunks and masses 
of soft foliage reappear reversed on the surface of a pool. Over the shadowed 
brow of an eminence at the right are seen the two dormer windows and roof 
of a house. The drawing is done with black crayon on a buff ground. 


Signed at the lower right, “J. Dupre.” 


WILLEM STEELINK 


HOLLAND (1856- ) 


No. 106— SHEEP IN PASTURE 
WATERCOLOR 
Jd —< Height, 1714 inches; width, 121% inches 


fy) AD 

Oe! coe 
In the foreground a sheep stoops to drink from a pool, which straggles back 

with reedy banks toward the right. Another sheep stands with her head 
toward a farther group of four sheep, one of which is drinking. Behind 

the flock, at the left, is a mass of purplish-brown scrub, with sparse foliage, 

out of which grow two olive-drab trees, sprinkled with leaves, that show con- 
spicuously in front of a woody clump. The horizon lies purple beneath a 
gray sky, shredded with olive vapor. 


Signed above the lower left, “Wi1LLEM STEELINK.” 


VICTOR BAUFFE 


HOLLAND (1844- ) 


No. 107— MILL NEAR BLYCWYK 
WATERCOLOR 
— ace Height, 1314 inches; length, 201%, inches ) y/ 


A varu leads back across a dull green pasture, to a drab windmill which 
occupies the left of the middle distance. Two black and white cows appear 
nearer to the front, while beyond the mill stands a yellow rick, protected by 
a drab roof. At this point a stretch of land, marked with a distant windmill, 
extends to the right. It bounds the water which fills the right of the fore- 
ground. In the center of the latter a boat lies beside the bank, its occupant 
wearing a blue blouse. ‘The sky is blurred with layers of gray cloud, broken 
up with a little white. 


Signed at the lower right, “V. Baurrr.” 


9 


WILLEM CORNELIS RIP 


HOLLAND (1856- ) 
No. 108— HERFSTAVOND NEAR GONDA 
WATERCOLOR 
—— ac . 
3 CO hems Height, 134% inches; length, 19Y%, inches 


A yrELLow glow over the 
center of the horizon is re- 
flected in the water which - 
fills the foreground. A boat, 
occupied by a man in a dark 
blue blouse, lies near the 
right bank, where a woman, 
dressed in black, appears to 
be raking. Her white cap 
shows against the brown of 
a hedge, over the top of 
which is seen the bluish-white 
end of a cottage, with dark 
olive tawny thatch. Beside it stands a bare tree. Other bluish-white cottages 
and a windmill and trees interrupt the level sky line. 


Signed at the lower right, “Wittem Rip.” 


JOHN FR. HULK, JR. 


HOLLAND (1855- ) 


No. 109— GEESE AND DUCKS 


WATERCOLOR 


C) 
Ces Height, 12 inches; length, 19 inches \ ) AA, ie y, 
Tia oe fia UY. VA hMnVV of 


Towarp the right of the foreground a.white goose faces us Mite other geese and ; 
some ducks are disposed over the soft, olive-yellow grass. It extends back 

to a scrubby, brown hedge, interrupted by two rectangular patches of board- 

ing, under one of which appears a goose. ‘The hedge terminates at the left 

in a fence, constructed of purplish-blue boards and pickets. These are re- 

flected in a pool of gray-white water, on which a duck is swimming. 


Signed at the lower right, “Joun F. Hux.” 


WILLEM STEELINK 


HOLLAND (1856- ) 
No. 110— RETURN OF THE FLOCK 
WATERCOLOR 


} =- s~ g #£ » Va 
ey, 70 Height, 12% inches; length, 18 inched Lp ADA JS 779 LLL ne 


A SINGLE sheep advances in the foreground, followed by a couple, behind which 
the flock fans out, their fleeces catching the light. The shepherd brings up 
the rear; his light blue blouse seen against the yellow-green grass of a slope 
which deepens to olive at the summit. At the right of the composition a tree 
trunk and scrubby bushes occupy a bank. In the distance slaty woods show 
beneath the rosy glow of the sky, which toward the zenith is a pale primrose. 


Signed at the lower right, “Wittrm SreeinK.” 


gi 
val 


TWEE, 2 


WILLEM CORNELIS RIP oo nee 


HOLLAND (1856- ) 


No. 111— MORNING NEAR GONDA 


WATERCOLOR 


ad Y Height, 8 inches; length, 141% inches 7 ted Ce. Cone 


Warer winds back irregularly through the center of the composition; while 
a polder, dotted with brown and white cows, extends at the left to a distant 
windmill. At the right, near the foreground, another mill stands beside a 
cottage. The latter has a reddish roof, that of the mill being slate, while 
the walls of both are olive-green. Off the bank lies a boat, which carries a 
mast and boom. A stooping figure appears in it, clad in a yellow oilskin. 


Signed at the lower right, “Wittem C. Rip.” 


-HENRI HARPIGNIES 


FRENCH (1819- ) 
No. 112— LANDSCAPE 
WATERCOLOR 
4 J A fs Height, 8 inches; length, 11 inches _ 
/ DSP AAS A VE Le 


In the cool, even light of an almost white sky, three scrubby bushes, which — 
extend across the foreground, show dark olive-green. A sandy road curves 
back through the center, disappearing behind a slope of ground which pro- 
jects from the right. It is surmounted by two trees, one of which forks out 
from near the ground. At the left of the middle distance is a clump of 
grayish-buff and slaty-gray trees. Faint blue hills lie across the horizon. 


Signed at the lower left, “H. Harpienies.” 


JAN VAN ESSEN 


HOLLAND (1854- ) 
No. 113— A WOODLAND POND 
WATERCOLOR 
i come — Height, 13 inches; length, 18 inches Nn 


fff 
GREEN water winds back between soft, sedgy, yellow-green banks, until it be- 
comes blue and white in the distance. Here it is bounded by a belt of wood. 
At the right of the pond, near the foreground, a young tree, with yellow 
pointed leaves, shows against a dense brown thicket. The opposite bank is 
studded with saplings; the yellow leaves with which they are sprinkled being 
round. Under one of them le some white ducks with their heads tucked beneath 


their wings. 


f 


Signed and dated at the lower right, “Jan Van Essen, 1904.” 


A 


4 
L= 


PAUL JEAN CLAYS 


FLEMISH (1819-1900) 


No. 114— CALME SUR L’ESCAUT 


WATERCOLOR 


eel ie de Height, 14/4, inches; i ee (3 (\ (bree 


Two cuts hover over the water in the foreground, one of th¢ém above the re- 
flections cast by two sailing barges, side by side in the center of the com- 
position. The left-hand one shows a band of apple-green above the dull red © 
of her bow, while a blue pennon floats from her masthead. ‘The other is dis- 
tinguished by a red mainsail and pale tawny-yellow topsail and jib. Other 
shipping appears in the background, while on a horizontal strip of land in 
the left distance stands a tall lighthouse. 


Signed and dated at the lower right, “P, J, Crays, 1878.” 


JOSEF ISRAELS 


HOLLAND (1824-1911) 


No. 115— MOTHER AND BABY 
WATERCOLOR 
eet ys mn 
ad a Height, 834 inches; width, 53% inches ( fasn ie ( Ur 


A youne mother, with her baby on her lap, is engaged in sewing. Her figure 
is shown in profile, facing to the left, the white cap being silhouetted against 
the fresh green of a landscape, seen through a window. The baby leans 
against her bosom, with one little hand laid on her left arm. The mother is 
dressed in a bluish waist, with short sleeves, and a brown skirt. 


Signed at the lower left, “Josrr Israrts.” 


JOSEF ISRAELS 


§ HOLLAND (1824-1911) 
(0! W 
No. 116 VENA E SG DAY 
6 
- 


» 
Peay 0 WATERCOLOR 

Cores 12%, inches; width, 7, inche D ) 

7 sy O ass? | Heig rt, 1234 inches; width, 724 inc qs ; re Ps Oetaae 
Tur scene presents the angle, included by two brown walls of a humble kitchen, 
paved with reddish tiles. The right-hand wall is interrupted by two strings 
of onions and by what appears to be a niche. Through a window in the left 
wall a pale green landscape is visible. Its lower right corner is cut by the 
head of a woman who stands over a steaming washtub. ‘The latter is brown 
as well as the stand which supports it. The woman’s skirt is dark brown, 
with a touch of blue on the hip, while her waist is pinkish-brown. The tonal- 
ity is impregnated with dim atmosphere. 


Signed at the lower left, “Joser Israxrts.” 


JOHAN BARTHOLD JONGKIND 


HOLLAND (1819-1891) 


No. 117— WINTER IN HOLLAND 
WATERCOLOR 
+ —f0 ° . 5 
ji -— Height, 6 inches; length, 10 inches/ 3 A eh me 
tf Pale Uae AAA } — Lk CO" 


Tue picture is executed in crayon, washed over with water color. From the 
foreground a canal extends back in the center of the composition, frozen over 
with purplish-blue ice. A boy is skating forward behind a man, whose cos- 
tume shows a touch of brown, as he skates beside a little girl, dressed in pale 
green. On the bank at the left of the foreground stands a clump of brown 
trees, adjoining a cottage, beyond which rises a windmill. 


Signed at the lower right, “JoncKInD.” 


JOHAN HENDRIK VAN MASTENBROEK 


HOLLAND (1875- ) 
No. 118— VIEW OF ROTTERDAM 
WATERCOLOR 
s Seay ee Height, 14 inches; width, 11 inches) ° 


Var YW hi ndirwu<g 
A quay extends back from the left of the foreground. It is bordered by a , 

line of olive-brown trees and a lamp post, beyond which appears a row of 
dull red houses with white casements. Figures dot the quay near two empty 
push-carts. Alongside the canal wall lies a barge, with its stern that shows 
a bright green band round the gunwale, turned to the spectator. Smoke 
rises from the cabin smokestack, and the upper part of a man in a pale blue 
blouse is seen beyond it. 


" 
& 


Signed and dated at the lower left, “J. H. V. Masrensroex, 798.” 


JAKOB MARIS eS 


HOLLAND (1837-1899) 


No. 119— A VIEW OF DELFT 


WATERCOLOR 


we Height, 13% inches; length, 1534 inches 
/ / 3 Fintan. tes. 


A TRIANGLE of shore appears at the right of the foreground, the rest of which 
is filled with the water of a canal that stretches back diagonally to a windmill, 
faintly visible toward the extreme right of the horizon. Another windmill 
shows prominently at the end of a quay which borders the farther side of the 
canal. The low houses, clustering along it, have dull red roofs, save in the 
center of the picture where a building is distinguished by a roof of pinkish 
tiles. Over its top in the distance rises a third windmill. A dark hulled 
boat, flying a blue pennon at her mast, lies moored toward the left of the quay. 


Signed at the lower right, “J. Marts.” 


Collection the Right Hon. Sir J. 0. Day. MW LoS - #2 OSK- L fan 


aa oan 


PAUL JEAN CLAYS 


FLEMIsH (1819-1900) 


No. 120— AMSTERDAM : 
WATERCOLOR by, R 1 ae | 
of po ie “a Height, 114%, inches; length, 174%, ht, ee , 


Tue water of the harbor is dyed with whitish-gray of a sky that shows a little 
bright blue at the zenith. With this is mingled the rich reflections of the 
sails of the fishing fleet. A boat at the right, which has some slaty-blue on 
her gunwale, is rigged with a mainsail, topsail and jib of warm, tawny buff. 
Another at the left has a lavender-pink mainsail, while the rest of her canvas 
is of brownish color. Purplish-brown and slaty-gray hues distinguish a third. 


Signed at the lower right, “P. J. Cuays.” 


XS 


JOHN FR. HULK, JR. 


HOLLAND (1855- ) 


No. 121— A SETTER 


WATERCOLOR 


ns 
a a 


Height, 111% inches; length, 181% a 


ero Re Fake 
A sEeTTER stands across the foreground, pointing to the leff, with’ left fore- 


paw raised and head, back and tail in horizontal tension. “The white of his 
coat is interrupted by liver-colored ears and by small patches of the same 
-hue on the back and at the root of the tail. The background at the right is 
filled in with a mass of oak foliage, dyed red and yellow, while at the left 
appears a knoll, crowned by a thicket of young tree stems. 


Signed at the lower right, “Joun F. Huwx.” 


WILLEM CORNELIS RIP 


HOLLAND (1856- ) 
INO. 122— MOLENS ON THE LEK 
WATERCOLOR 
[ ike — Height, 131% inches; length, 191, inches \ 


Tue end of a raft of floating planks projects from the front, at the ah 
of the water which extends across the foreground and back to a low horizon. 
On the right bank two windmills, the nearer of which shows a touch of dark 
blue on its hood, rise above a cluster of cottages with reddish brown roofs. 
Off the wharf in front of them are moored a red and a purplish-red barge. 
In the center of the canal lies a boat with a tawny-buff sail and a patch of 
green on her hull. 


Signed at the lower right, “Wittem Rip.” 


WILLEM STEELINK 


HOLLAND (1856- ) 


No. 123— SHEEP RETURNING HOME 
WATERCOLOR } 
ses ? AD, 
¢ be Re amt Height, 19 inches; width, 14 inches TW. (WT 


Brecu trunks border the sandy path which leads up from the center of co 
foreground to a skyline, sloping down from right to left. Here the figure of 
the shepherd, as far as the waist, appears above the packed mass of his flock. 
The sheep are coming down the incline, headed by two which move side by 
side. ‘The wood is carpeted with red and yellow leaves, shed by the trees which 
wear their autumnal tints. 


Signed above the lower right, “WitteM STEELINK.” 


MARIA PHILIPPINE VAN BOSSE BILDERS 


HOLLAND (1837-1900) 


No. 124— LANDSCAPE 
WATERCOLOR 
"Wied Height, 131% inches; length, 20% 
ws 7 oes g iA, 


¢ if 


f) 
4; 
inches 4 = (ine mb vas 


Between strips of gray- 
green mossy grass a small 
canal stretches back from 
the front and joins a larger 
one which crosses the com- 
position horizontally. A wil- 
low stands in the water near 
the foreground, and farther 
back at the junction of the 
two waterways rises a square 
wooden tower, apparently a 
lighthouse. At the right of 


it a sail and the upper part of two men appear above the bank of the main 
channel. ‘The latter is bounded at the far side by purplish-brown woods and 
occasional cottages, over which soar masses of gray and white vapor, showing 


intervals of atmospheric blue. 


Signed at the lower left, “M. Brrprers van Bosse.” 


JOHAN HENDRIK VAN MASTENBROEK 


HOLLAND (1875- ) 


No. 125— A WHARFSIDE 


WATERCOLOR 


( 5 te Height, 134, inches; length, i aes alee m4 noc 


A screEN of bare brown 
trees, through which houses 
are visible, stands high up at 
the left of the composition. 
A brown bank slopes irregu- 
larly down from it to the 
water which fills the right of 
the scene. Two figures ap- 
pear in the shadow of the 
bank near the foreground, 
while the cream and drab 
and light blue blouses — of 
some workmen catch the ight. They are grouped near a shed, in front of which 
a wharf projects, with barges moored at its extremity. Beyond the wharf is 
visible the funnel of a steamer, distinguished by a white band on a black 
ground. A sister steamer lies horizontally across the water in the right distance. 


Signed and dated at the lower left, “J. H. V. Masrenproexk, 99.” 


WILLEM CORNELIS RIP 


HOLLAND (1856- ) 
No. 126— ON THE RHINE NEAR LIENDEN 
WATERCOLOR 


a A vaya Height, 141% inches; length, 21 fae Je AAA to Wee 10S 


Aone a rdad which crosses 
the composition diagonally 
from the left of the fore- 
ground a countryman in blue 
blouse is riding a white farm 
horse. He is approaching a 
cottage with — bluish-white 
walls and dark olive-tawny 
thatch, which nestles below 
the level of the road upon the 
edge of a river at the left. 
Close behind the cottage 
towers a windmill. At this 
point the road disappears, and on the right a church spire projects above a 
clump of mossy-green trees. 


Signed at the lower left, “Wit1em Rr.” 


( 


q- 


JOHN FR. HULK 


HOLLAND (1855- ) 


No. 127— GEESE IN A SWAMP 


WATERCOLOR 


( 0 ee Height, 15%, inches; length, 241, ee pe Pe j 


Tue water in the marshy 
foreground is cut into with 
grassy growth, the gray- 
green of which is pricked 
with a few white flowers. 
Stepping forward on a spit 
of grass is a white goose, be- 
yond which appear two oth- 
ers, one of them lowering its 
head to feed. Under the lee 
of a mass of bulrushes at the 
right of, the middle distance 
appears a group of geese. In the distance yellowish polde..., dotted with cattle, 
extend to slaty-purple hills, which lie across a high horizon beneath a violet- 
gray sky. 

Signed and dated at the lower left, “Joun F. Huxx, 1907.” 


VICTOR BAUFFE 


HOLLAND (1849- ) 


No. 128— A HOLLAND LANDSCAPE 


WATERCOLOR 
On Beet hehe 
oo oe 


Height, 14% inches; length, 21%, ache 


Tue left of the foreground is occupied with water, which extends back to a 
horizontal bank and passes to the right. In the meadow, thus enclosed at 
the right, is a clump of willows, to two of which a pole is fixed. Upon this 
hang some garments, while a woman stoops to spread some linen on the grass. 
She wears a white cap, old rose waist, blue apron and brown skirt. Seen 
across the water ‘behind her is a little church. Farther to the left stand two 


brown cottages with olive thatch. A boat with brown sails appears at the 
left of the water. 


Signed at the lower right, “V. Baurrr.” 


JAN VAN VUUREN 


HOLLAND (1871- ) 


No. 129— ENTRANCE TO THE WOOD 


WATERCOLOR 


fi 
— oe Height, 16 inches; length, 20 inches \ ) WA LA 
ae GG en p tlh 


Tue foreground is in shadow, interrupted by a couple of white posts at the 
foot of a slight knoll on the right, from which rise two beech trunks. Be- 
yond the latter appears a purplish-brown roof. At the left of the middle 
distance a brown hut stands beside a thatched cottage, whose white wall 
catches the light. The latter also illumines the patch of ground in front of 
the cottage and glistens between the trunks of a grove of beech trees in the 
background. The foliage is yellowing with the approach of Fall. 


| 


Signed and dated at the lower right, “J. Van Vuuren, 1900.” 


JOHN FR. HULK, JR. 


HOLLAND (1855- ) 


No. 130— DUCK HUNTING 


WATERCOLOR 


vot ° ° . ( . V/s 
— Height, 16 inches; length, 241 inches ‘ f / e 
/ 5 d Ce flo - b A" wor 


SHELTERED by a mass of bulrushes, a brown boat projects from the right. 
Standing in its high sharp bow and pointing, is a white setter with orange- 
tawny markings on the ears and back. A man in a dark olive coat sits be- 
hind the dog, while another, dressed in a blue blouse, stands leaning forward, 
as if to steady the boat. he various colors are reflected in the purplish-blue 
water. ‘T'wo ducks are flying in the slaty-gray sky. 


Signed at the lower right, “Joun F. Hux.” 


WILLEM CORNELIS RIP 


HOLLAND (1856- ) 


No. 131— VIEW ON THE SCHIE 


WATERCOLOR 


7 = oe Height, 141% inches; length, 25%, ee yee (Am 4 4 
O a 


A wriypmiuu of brownish plum color, surmounting ee dark re of of an oc- 
tagonal structure with drab walls and a blue door, stands a little back from 
the foreground at the right. The interval is encumbered with planks and 
logs, floating in an arm of the canal, which itself extends back at the left. 
Several brown boats are scattered over the foreground; one of them, in which 
a man in plum- colored blouse is seated, showing bits of deep green cargo. 
The water is purplish-blue with the whitish reflections of a pale weathery nue 


Signed at the lower right, “W. Riv.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 


No. 132— DANS LA BIBLIOTHEQUE 


WATERCOLOR 


hes aa _ Height, 16%, inches; length, 22%, ince /> Vi: Cae 


A Bookcase of rococo design, decorated with a festoon of carved and gilded 
flowers, occupies the background. In front of it is a table, covered with a 
silvery-blue velvet cloth, embroidered with silver. At the right of it a young 
lady sits in profile, reading. Pink ostrich plumes adorn ae. blond hair, while 
her figure is elegantly attired in a pompadour skirt of pearly-gray with dainty 
rose stripes enclosing floral sprays, over a petticoat of alternate bands of 
rosy cream and pale olive-blue, sprinkled with little flowers. Resting his elbow 
on the left side of the table, an old gentleman in a magenta-colored costume 
sits listening to the story. 


Signed at the lower right, “Guiser. SicNorin1, Paris, 262.” 


BERNARDUS JOHANNES BLOMMERS 


HOLLAND (1845- ) 
No. 133— MINDING BABY 
WATERCOLOR 
or : . . a A 
) aw) 7 bat Height, 16 inches; length, 201% inches - 


\ U tt 6 GS Y 
A wicker cradle, draped over the hood with a black and gray shawl, occupies 
the center of the composition. The pink-faced baby is lifting its left hand 
to the young mother, as she stands at the right watching it. Her figure 
is seen in profile, the back bent forward, the hands resting on the knees. In 
the rear of the scene appears a large fireplace, paneled at the side with blue 
and white tiles, while a blue bureau stands at the left, with a row of three 
plates leaning against the wall. 


Signed at the lower right, “BLiomMers.” 


JOHAN HENDRIK VAN MASTENBROEK 


HOLLAND (1865- ») 


No. 134— SUNSET 


WATERCOLOR 


a) ve Height, 19 inches; length, 28% Beg Ss ' 3 
pans . 7 hppa 
Tue water stretches from the front to a low horizon, fringed with purple : 
woods. Over the center of these the sun’s half-orb shows yellow under level 
strata of purplish-orange cloud, surmounted by a confused mass of darkening 
vapor. Along the left of the canal extends a quay on which appear a clump 
of trees and some red-roofed houses; while across the water spreads a mossy- 
green pasture. Two boats lie off the bank, in one of which stands a man with 
a pole. 


Signed and dated at the lower right, “J. H. V. Mastensroex, 1905.” 


WILLEM MARIS 


HOLLAND (1844-1910) 


No. 135— DUCKS AND DUCKLINGS 
WATERCOLOR 
ef / 7A “e Height, 1414 inches; length, 231%, inches ; 
L = a 4 


Tue scene presents a spot of bright 
green grass in front of a little pond, 
the surface of which is boldly dap- 
pled with light and shade, under 
branches clothed with long yellowish 
leaves. Six yellow ducklings are 
sprinkled near a white duck, who is 
preening her feathers. At her left 
stands another white one, while at 
the right a bluish duck is lying be- 
side a yellowish-brown one with scarlet on her head. 


Signed at the lower right, “Wi111rm Manis.” 


WILLEM STEELINK 


HOLLAND (1856- ) 


No. 136— SHEEP ON THE HEATH 


WATERCOLOR 


Akos Son Height, 15 inches; length, 25% eanedg ec vf ee 


Over the drab _ fore- 
ground, scantily spotted 
with short herbage, the 
sheep are spread in a fan, 
the point of which is 
toward the _ spectator. 
The shepherd, in blue 
blouse and brown trous- 
ers, stands at the left of 
his flock, propped upon 
his stick, the upper part 

—_ eee of his body showing 
against the horizontal line of a scrubby, bare hedge. The latter terminates at 
the center of the composition in three almost leafless trees, to the right of which 
extends the dark, olive-buff-black mass of a long thatched roof. Over the top of 
it appear three posts of a rick roof. 


Signed at the lower right, “Wittem STEELINK.” 


Af OHAN HENDRIK VAN MASTENBROEK 


HOLLAND (1875- ) 


No. 137— MORNING FROST 


ip ‘gar Height, 191/, inches; length, 28, inches ha ae 
burr 


Axsove the horizontal line of trees which bounds the view of the haf\bor, the 
sun glimmers white in the dove-gray vapory sky, and trails its reflection over 
the water to the front. At the left of the latter five rowboats, containing 
fishermen, are sprinkled in a group. A laden barge is being towed by a tug 
toward a wharf in the middle distance at the right. Beyond the wharf ex- 
tends a row of houses. A man operating a pole, stands in the stern of a 
barge, which has a rowboat with a single occupant in tow. 


_ Signed and dated at the lower right, “J. H. V. Mastensroex, 1904.” 


ra FRANCOIS PIETER TER MEULEN 


HOLLAND (1843- ) 


No. 138— A SHEPHERDESS 


WATERCOLOR 


LC 
ra) ee Height, 27, inches; width, 21 inches Sa 
LL yo Ug _ ght, 4l/2 Y 3 aed J 


A Rosy-FACED girl is knitting as she sits on a bank, in profile to the left. 
Yellow leaves are strewn around her and a sapling, from which the top is 
broken, shows at her back. In the distance, at the left, is a thicket of young 
trees amid which the flock is feeding, while a sheep and a lamb appear in the 
middle distance. The girl is dressed in a white cap and blue apron that 
reaches from her neck to her feet. 


Signed at the lower left, “KF. P. Ter Mruren.” 


WILLEM CORNELIS RIP 


HOLLAND (1856- ) 


No. 139— MOLENS NEAR ZEVENHUYOEN 


WATERCOLOR 
ef ; OG f : 
/ a Height, 1914 inches; length, 2814 inches A ' oak 


Ow a road that winds through the center of the foreground a cart approaches, 
with a white horse in the shafts. The driver wears a dark blue blouse. The 
road leads back to a mill, which is seen across a sheet of water that occupies 
the left of the foreground. Under the far bank appears a punt, containing a 
man in a blue blouse. In the distance on this side are seen four windmills, 
and another overtops a cluster of brown roofs at the right. 


Signed at the lower left, “W1ttem Rip.” 


FRITZ THAULOW 


NORWEGIAN (1847-1906) 


No. 140— DEGEL—NORWAY 
PASTEL ; ) 
ib 00 — Height, 19% inches; length, 29%, inches 


A ¥ew stars show in the blue 
sky, but the village street is 
wrapt in gloom. The snow 
on the roofs of the cottages 
along the right is a vague 
gray-blue, and the drab walls 
pierced with the rosy, creamy 
light from four windows and 
a transom, glimmer uncer- 
tainly. Before a dark door- 
way a man and a woman 
stand conversing. Out in the 
roadway, where the glare from the windows is reflected in some puddles, a man 
comes forward with his hands in his pockets, followed by a girl leading a child. 
At the left of the roadway stands a row of poplars. 


Signed at the lower right, “Frrvz TuHautow.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 


No. 141— UNE FEMME PEINTRE 


WATERCOLOR 


f) 
iy 3 U oe Height, 18 inches; length, 23 weg , BAP. eh UY 


Ar the right of an easel, whose edge occupies almost the center of g. com- 
position, a young lady leans forward on her seat, diligently painting. She 
is elegantly attired in a gown of pale blue damask, besprinkled with purple, 
golden yellow and rosy blossoms, down the front of which descends a panel of 
pearly-gray with an arabesque design in gold, rose, green and blue. Her 
subject is seated at the left of the easel—an oldish gentleman, whose knees 
embrace a large chaufferette. Above his head hangs a picture of two loves, 
while on the wall behind the lady is a series of panels, each containing the 
figure of a saint. 


Signed at the lower right, “Guisrr. S1cNor1n1, Paris, 262.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 
No. 142— RETOUCHE DU PROFESSEUR 
WATERCOLOR 
ey 70 beds Height, 18°, inches; length, 241, inches | ty 4 ia 
Tue profile of an easel divides the composition about the center. Ag the right 


an old gentleman, facing the spectator, sits posing for his portrait. Mean- 
while, on the other side of the easel, the lady-artist has yielded her chair to 
a young professor, and leans on the back of it as she watches the process of 
retouching. Her gown is of pale blue satin, trimmed with silver embroidery, 
while the young man’s costume consists of a white tie-wig, crimson, gold- 
bedecked coat and breeches and scarlet stockings. 


Signed at the lower right, “Guisep, SicNortni, Paris, 266.” 


PIERRE J. PELLETIER 


FRENCH 


LA FOLIE NANTELLE 


PASTEL 


Height, 20 inches; length, 29% inches F 5G OQ 


From the foreground a road- 
way leads back to the green- 
ish-blue door of a drab house, 
the roof of which is fantasti- 
cally embellished with red 
coping tiles and a number of 
red chimney pots. A woman 
approaches the door. At the 
left of the roadway is a 
stretch of sandy earth, strewn 
with stones and bordered by a 
mossy wall, over the top of 
which shows a row of trees. 


On a bank at the right of the foreground stands the dark gable end of a house, 
surmounted by a high chimney and light red roof. 


Signed at the lower right, “PELLETIER.” 


LUIGI CHIALIVA 


ITALIAN (1842- ) 


No. 144— SPRING LANDSCAPE 


WATERCOLOR 


4 a? Height, 15 inches; length, 211, inches [Qa (33-0 (9 
“a nee Lf 
h 


Tue pasture slopes up from the foreground, having at the right of the sum- 
mit a group of straggling young peach trees, laden with pink and white blos- 
soms. A shepherdess is seated on the left of the slope, clasping her knees 
with folded hands as she watches three lambs which stand in advance of the 
sheep. ‘The rest of the flock is grouped at the right, where the sheep-dog 
stands on the alert, with quivering tongue hanging out. The girl wears a 
reddish-purple handkerchief around her head and a pinkish-brown dress with 
a creamy-drab tippet over the shoulders. An umbrella lies by her side. 


Signed at the lower left, “L. Cutativa.” 


AUGUST FRANZEN, A. N. A. 


AMERICAN (1868- ) 


No. 145— CALLING ON THE SQUIRE 
WATERCOLOR 
a ——— Height, 201, inches; width, 134% inches t, 6 


In a garden, gay with flowers, a gentleman with gray hair and beard, sits 
sideways on a green bench. He rests his head on his hand, as he faces a 
young man and woman seated at the left. The youth wears a white yachting 
cap and scarlet tie and holds his hand on the back of his chair with a cigar- 
ette between the fingers. His companion is dressed in a blue hat, yellow 
waist, and rose and buff figured skirt. 


Signed at the lower right, “Franzen.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 


No. 146— #RICHE ARABE DANS SON FUMOIR 


WATERCOLOR 


a BS of Height, 27 inches; width, 20 inches\ , a 
: . MOLMAL_ 


A BLACK-BEARDED Arab is seated on a bench, holding“his long pipe unsmoked, 
while he leans against the green and gray tiled wall in an attitude of reverie. 
At his side is a tabouret with sweetmeat box and coffee cup, and behind it 
stands a Nubian slave in a long, plain yellow silk tunic, elevating a per- 
forated brass sphere from which fragrant smoke-wreaths issue. The gentle- 
man’s garb comprises a rosy-crimson jacket, embroidered, like the yellow vest, 
with silver, and crimson-damask trousers; a salmon-pink drapery being laid 
over his pale blue turban. 


Signed at the lower right, “Gutser. Sienorin1, Paris, 305.” 


. 
oe, 
Ras 


PIERRE J. PELLETIER 


FRENCH 


No. 147— BILLANCOURT 


PASTEL 


a ‘4 Se Height, 22 inches; length, 36 inches ce fe Kea 
ts a eae gy tee ss a C soa 


In the paling light of a stormy sky a roadway extends from the foreground 
toward the left. Here two carts interrupt its monotony. Near the sidewalk 
stands a telegraph post, the wires cutting the sky diagonally. Then ap- 
pears a lamp-post, past which two women are walking. On the opposite side- 
walk, two women stand in conversation, and a man, carrying a basket, is 
hurrying along beside a woman who holds a child by the hand. The walk is 
bounded by a wall, over which appear the roofs of two sheds and a couple of 
house-boats, with a view of the river beyond, reaching back to a factory 
and smokestack in the left distance. 


Signed at the lower left, “J. PELLETIER.” 


ALBERT LOREY GROLL, A. N. A. 


AMERICAN (1866- ) 


No. 148— THE DESERT 
PASTEL 
es 37 tale Height, 21 inches; length, 331, NES Ca ae Care The Y 4 vi 


Tue level of the desert is interrupted near the foreground at the left by an 
eminence that rises to its highest point by successive undulations. This 
almost waye-line formation is swept with tones of purple, orange, green and 
cream. The desert, yellow-green and studded with sage-brush in the middle 
distance, pales to cream as it approaches a blue and rosy mountainous bar- 
rier on the horizon. Its contours, partly rounded, partly serrated, show 
against a pale blue sky, in which soar two conspicuous white clouds with 


ragged edges. 
Signed at the lower right, “A. L. Groxt.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 


No. 149— MARCHAND DE CURIOSITES 


WATERCOLOR 


: Co Height, 301, inches; width, 19 eae 
ae 
An Arab, swathed in crimson, with a rosy, crimson i Ae in 
stands offering for sale an instrument which has two rows of eight strings, 
strained over a kettle-drum body, covered with sheepskin. A gray-bearded 
merchant, seated on the floor beside some brass lamps, a brass dish embossed g 
with a horse and rider, a tabouret, inlaid with mother-of-pearl, and other =a 
articles, is passing his left hand over the body of the instrument. An almost ‘a 
feminine elegance distinguishes the old man’s costume which comprises a 
crimson turban, pink silver-embroidered robe, yellow vest and a drapery shawl 
of yellow, crimson and blue stripes. 


Signed at the lower right, “Guisep. SicNorint, Paris, 294.” 


CONSTANT BROCHART 


FRENCH 
No. 150— | MAUD MULLER 
PASTEL 
ee — oo Height, 471% inches; width, 321, pe ~~ y, 


g 
A youne girl, holding the handle of a rake with one hand and a tin mug in 
the other, sits beside a runnel of water. Her straw hat is trimmed with 
pinkish-brown ribbon and decked with marguerites and poppies. Round her - 
neck lies a silk handkerchief of old rose, gray and light blue plaid; while her 
white chemisette is confined by a black bodice, above a blue skirt, turned up 
and bunched over the hips. 


Signed on a stone at the lower right, “Constant Brocwart.” 


PIERRE J. PELLETIER 


FRENCH 


No. 151— ISSY LES MOULINEUX 


PASTEL 


— ; I iy ) 
lA 3 Height, 221, inches; length, 351%, inches Be 163 Onolrerig 


sor | ~=From the left of the fore- 
: ground a. street stretches 
back to the center of the 
middle distance, while a 
roadway descends to the 
riverside at the right. Here 
there is a wharf, heaped 
with sand, with a_ black 
barge moored alongside. 
The water extends back to 
where two red roofs and a 
factory chimney show 
against a sky filled) with rain-clouds. The sidewalk at the left of the street is 
bordered with a paling, over the top of which appear a tree and the brick walls 
and brown roofs of houses. A lady in red dress walks beside a man. 


Signed at the lower right, “J. PE tirtier.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 


No. 152— ANTICHAMBRE DU. HAREM 
WATERCOLOR 
/O Ae athe Height, 34 inches; width, 22%, inches ; ~ a Ee oe 


A Brass lamp hangs above a large bowl, from which fans out a profusion of 
pampas blossom, the plumes on the left spreading across a Moorish-Gothic 
grille. Beneath this display appear a standing and a seated musician. The 
latter, distinguished by a handsome pink silk drapery, the lining of which is 
embroidered in silver and pale-olive green, rests his foot on a tabouret, while 
he sings to the accompaniment of a lute-shaped instrument. His companion, 
whose crimson robe reveals the apple-green velvet sleeves of a jacket, is 
drawing a bow across the two strings of an instrument consisting of a very 
small circular body and long slender neck. 


Signed at the lower right, “Guiser. SicNorint, Paris, 301.” 


GUISEPPE SIGNORINI 


ITALIAN (1857- ) 
No. 153— DOGE DE VENISE 
S ntetee 
-+/O6— Height, 49%, inches; widkh, 294% inches, ~ A ye 


a@, OS ie G 
A MAN, superbly costumed, stands facing the ahh As 1% ane peat iste Bl 


a rolled document, while his right turns the illuminated page of a large book, 
supported on a revolving desk. His figure is enveloped in the voluminous 
folds of a rose silk robe, over which descends from his right shoulder a broad 
stole of cream and purplish-red brocade. Two men, similarly attired, are - 
seated in the shadow of the background, against an oak-paneled wall. The 
scene represents the interior of the Hall of the Council of Ten. 


Signed at the lower right, “Guiser. St¢Nortnt.” 


SECOND EVENING’S SALE 
TUESDAY, JANUARY 16ru, 1912 
IN THE GRAND BALL ROOM OF THE PLAZA 


Firru Avenue, 58TH to 59TH STREETS 


Becinnine at 8 O’cLocK 


JULES ALEXIS MEUNIER 


FRENCH 


Contemporary 


No. 154—FISHERMEN ON THE EDGE OF THE QUAY 


ae ? oop CL Oo ee 


ec 
/ [a Height, 6 inches; length, 914 inches 


Tue quay extends back from the left of the foreground, rosy-white in the sun- 
shine. Near the front two fishermen are seated on the edge, their feet dang- 
ling over the water. The nearer one, an old man in brown cap and a slaty- 
drab coat, leans forward with his hands on his knees, while his companion 
turns to him, mouth open, gesticulating. Facing the men are the bows of 
three boats, which project horizontally from the right with a diminishing 
amount of the hull in view. ‘The one most in sight is painted pale green, the 
next darker green, with “Villefranche” lettered on the gunwale, while the last 
is white; the colors of all being reflected in the mauve water. 


Signed at the lower left, “J. A. Mrunter.” 


H. BRELING 


GERMAN 
No. 155— RIDING PILLION 3 
PANEL rt : | 
oars ao Height, 6 inches; width, 4 inches : 7 


A wurre horse has one foreleg raised in the act of stepping out of a narrow 
stream that it has forded. It is mounted by a man in a buff tunic and brown 
boots with flaps reaching above the knees. With her right arm round his 
waist, a woman rides behind him, pillion fashion. She wears an old-rose jacket, 
drawn in at the waist. A chateau, with a round tower at one of the angles 
of its outer wall, shows in the distance at the left. 


Signed and dated, “H. Bretine, 1887.” = 


LUIGI LOIR 


AUSTRIAN 
No. 156— A PARIS STREET—EVENING 


Fo = Boa (3 Ar AAA - ly 


In the waning light the roadway, which extends back from the foreground, is 
damp with rain. ‘The sky is heavy with dull drab vapor, gathered over a 
glaring white horizon, against which show the umbrellas of passengers on the 
top of an omnibus. It has halted beside a boutique for tickets, situated at 
the left on the sidewalk, where also appear a lamp post and newspaper kiosk. 
On the opposite side of the street yellow lights flare in the shop windows. A 
cart, drawn by a white horse, is coming down the street, followed by a hansom. 
Walking toward them from the right of the foreground is a boy in white 
apron, coat and cap, carrying a red can. 


Signed at the lower right, “Lor, Lutet.” 


LUIGI LOIR 


AUSTRIAN 


No. 157— THE HARBOR—NIGHT 


| a 
a es Thi hee 


Tue foreground shows a triangle of drab-colored roadway with a strip of pale 
green grass that separates it from a reversed triangle of slaty-purple water. 
On the latter lies a houseboat with two windows, glowing red; beyond which 
the horizon line is interrupted by a puff of smoke and dotted with yellow lights. 
A green light glimmers at the top of a pole beside a building in the middle 
distance at the right, from which a wharf projects. A carriage, with lighted 
lamps, and three female figures spot the road. 


Signed at the lower right, “Lom, Luter.” 


SIEKERZ SZY KIER 


POLISH 
No. 158— WINTER 
PANEL ad We 
i Ce ein 
a Height, 91 inches; width 7 inches 


Snow, shaded with bluish-gray, covers the scene, which in the foreground 
presents the summit of a slight hill. The top has just been reached by a 
black horse, advancing at a gallop. His head is encircled with a large horse- 
shoe yoke, attached to the shafts of a sleigh. The latter is being driven by 
a woman, who stands leaning back on the reins. She is dressed in a plum- 
red jacket and reddish-brown skirt, while a dark kerchief surrounds her 
plump, smiling face. Another face appears in the bottom of the sleigh. Close 
behind follows a second sleigh, drawn by a white horse in charge of a man. 


Signed and dated at the lower left, “Szyxier Sirkerz, Munachium, 1890.” 


H. BRELING 
GERMAN 
No. 159— THE PRISONER 
PANEL Be p ra 
.3 eS aa Height, 5 inches; length, 6 inches 


In front of the gabled end of a thatched cabin at the left of the foreground 
a woman stands with her baby in her arms. She is watching her husband, 
as with hands tied behind his back he is being led off by a mounted trooper 
who holds a gun upright before his saddle. The prisoner casts a look back, 
as he is about to disappear behind a bank at the right of the composition. — 


Signed at the lower right, “H. Brexine.” - 


ALFRED THOMPSON BRICHER, A. N. A. 


AMERICAN ( 1839-1908) 


No. 160— THE BROOK ‘Gs aa 
PANEL ‘Be : ye re cotton a | ! 
tee nase Height, 11%, inches; width, 934, inches ) <a a 


Looxine up a rocky glen, one faces a brown pool in the foreground. The 
water is pouring into it by a fall, at the left of some green boulders. ‘The 
stream is seen winding between other rocks that strew the bed farther back, 
until it is lost sight of in the dense growth of foliage. Conspicuous amid the 
latter are two white birch stems at the right and a fir-tree high up at the left. 
The foliage is dusted over with particles of light. 


Signed at the lower right, “A. T. Bricuer.” 


ROBERT SCHLEICH 


GERMAN (1845- ) 


No. 161— DUTCH CANAL, WINTER 


Height, 8 inches; length, 12%, inches ? , 
a er eae ; z Wo tree an 


On the left bank of a frozen canal, in the foreground, a rude tent has been 
erected between two trees. In front of it a woman stands beside a barrel, using 
the top as a table from which she is dispensing some refreshment to a man in a 
high felt hat. A lady, handsomely attired in a fur-edged coat and salmon- 
pink skirt, stands beside a little girl. On the ice two men, one of them dis- 
tinguished by a yellow jerkin, are in conversation, close by a little cradle-sleigh 
containing a child. <A boy has fallen on the ice, and another boy, accompanied 
by a girl, skates toward him. 


Signed and dated at the lower right, “Rosert Scuieicu, 1887, Munich.” 


LUIGI LOIR 
AUSTRIAN 
No. 162— ENVIRONS DU PONT DE L’ARCHE 
Height, 9%, inches; length, 13 inches \| (9. VAIO NS pgoe 1" DIees ; 


Aras 
A err, dressed in a stiff white cape and rosy-white dress, with scarlet bows in 
her hat, bends forward as she talks to a child. The latter wears a short drab 
skirt and a drab-blue waist with white collar and cuffs. The figures are stand- 
ing in the center of the foreground, near some white flowers. The grass, inter- 
rupted with patches of soil, extends at the right to a row of cottages, lying 
beneath a smoothly beveled hill. At the left it terminates in the reedy, irregular 
margin of a sheet of water. 


Signed at the lower right, “Lor, Luter, 142.” 


LUIGI LOIR 


AUSTRIAN 


No. 163— RUE A AUBERVILLIERS 


we Height, 10 inches; length, 13 inches . 

ae Vie : 
Tue spectator looks down a drab-colored street and a sidewalk of the same hue 
at the left of it. Here, near a lamp-post, a girl, with scarlet bows in her hair 
and dressed in a brownish-yellow tippet and black skirt, is walking away from 
the foreground. Of the same hue as the tippet are the baggy trousers of a 
street sweeper, working in the road. The hue also reappears in the hay with 
which a cart in the middle distance is piled. Meanwhile, the wheels of a 
fiacre are bright chrome, and yellow signs appear on a building and over a 
store at the left of the sidewalk. 


Signed at the lower right, “Lor, Luie1, 182.” 


R. LORRAINE PYNE 


No. 164— SUNSET 


= 68 - Height, 12 inches; width, 10 inches zs al 
ae a. Tt Ga aa 
A sPpLENDOR of orange, yellow and rose fills the sky, bursting like a bomb above 
some purple woods on the horizon. A little of the glow is caught by (what 
appears to be a small pool, low down in the middle distance. The foreground, 
which is enveloped in dove-gray shadow, interrupted by a little red-brown 
growth, slopes up to the left, where a leafless oak stands near some bushy trees. 


Signed at the lower left, “Lorrainrt Pyne.” 


H. HUMPHREY MOORE 


AMERICAN (1844- ) 
No. 165— THE FORTUNE TELLER 
PANEL a f 
Vploon Conant 
a yin Height, 14 inches; width, 10 inches "i TE 
A SpanisuH girl sits at the left of the composition, holding a guitar to the floor. 
With her head resting on her hand, she watches an old woman, who, squatting 
on the floor beside a brazier, holds three cards. The girl’s pale-blue dress is 
swathed with a primrose shawl, embroidered in yellow, rose and blue. Another 
girl follows the scene with interest, as she sits sideways in the rear of the room 
with one arm on the back of her chair. A barrel and bottles appear on a 
dresser at the right. 
Signed at the lower left, “H. Humpurey Moore, Paris.” 
ARTHUR HOEBER, A. N. A. 
AMERICAN (1854- ) : 
No. 166— EARLY MORNING | 
De aitaere Height, 16 inches; width, 12 inches Oy H, ee Ol 
<a / ' 


A sanpy path winds back through the long reedy grass of the foreground. At v 
the left a leafless tree, catching the light upon the upper part of its stem, is 
succeeded by a sapling, beyond which stands a trunk of sturdy growth. Where 
the path disappears to the right is a clump of small trees with a blur of 
bluish-gray foliage. The sky is astir with flusters of creamy white. 


Signed at the lower left, “Artuur Horper.” 


LUIGI LOIR 


AUSTRIAN 


No. 167— ENVIRONS DE CLAMART 


S) ae “ Height, 104%, inches; length, 144, inches “)“)-L. a 


Ar the right of a roadway which extends back from the foreground is an 
entrance, bearing the sign “Restaurant,” hung with blue and red lamps. Some 
figures are entering, one of them being distinguished by a Japanese parasol. 
At the left, nearer to the front, a young man has his arm around the shoulders 
of a girl, while both wheel beside them their bicycles. Two women are seated 
at the extreme left, their costumes presenting spots of brown and scarlet. The 
road is crossed horizontally in the rear by another street, where people are seen 
seated in front of a café. Wooded hills terminate the vista. 


Signed at the lower right, “Lom, Luta1, 139.” 


A. BERTZIK 


GERMAN 


No. 168— A LADY OF THE SIXTEENTH CENTURY 


ra) 

Height, 15 inches; width, 11 inches Ve £, : 
CPi tae 

Patntep with a precise regard for detail, the head and bust of a lady are 
represented three-quarters to the right. A black velvet hat, adorned with 
white and plum-colored feathers, is set at an angle on her head, revealing one 
side of the blond hair, dressed with pearls. The figure is attired in a stomacher, 
finishing round the neck in a gold band, a brown bodice and a mossy-green 
jacket, the high standing collar and lapels of which are embellished with brown 
fur. An enamel cross, set with jewels, is suspended on her breast. 


Signed at the upper right, “A. Brerrzix.” 


JOSE FRAPPA 


FRENCH (1854-1904) 


No. 169— THE SINGER 


PANEL 


a O it Height, 171, inches; width, 14 inches (2 VL. (Gpeeeme 


A RED-ROBED. cardinal sits at the left of the composition in front of a grand 
piano, his right hand fingering the keys while the left is raised. He turns a 
laughing face to a young abbé, whose standing figure is vested in reddish-purple 
biretta and cassock, while a crimson maltese cross, decorated with jewels, is 
suspended on his breast from a yellow and red ribbon. While he sings he holds 
a music book in his left hand and elevates the right, so that it seems to be 
pointing to a picture of St. Cecilia on the wall behind him. 


Signed at the lower right, “Jose Frappa.” 


ALFRED PERKINS 


No. 170— INCOMING TIDE 


e6 Height, 17 inches; width, 15 inghes 


Yo — 
A TRIANGLE of lavender sand, spotted with brown, hows the gt of the fo 
ground. The gray-blue water, curdled white, is sliding toward it, followeé 
by long, low rolls of over-curling surf, as the waves break gently on the flat 
shore. In the middle distance a lavender-brown rock projects above the water, 
apparently terminating a spit of sand. Far back toward the left a schooner is 
passing and a single sail appears. There is a second at the extreme right, 
and others are vaguely visible on the horizon. The sky is drabbish-gray, 
interrupted half way up by an interval of creamy white. 


Signed at the lower right, “Atrrep PERKINS.” 


ANTONIO CASANOVA Y ESTORACH 


SPANISH (1847-1896) 


No. 171— TASTING 
ae A vdise. Height, 18 inches; width, 15 inche ‘ Yy 


SEEN as far as the bust, a fat cardinal looks up with half-closed eyes at a 
glass of champagne, which is elevated in his right hand. <A bit of scarlet skull- 
cap shows above his white hair and the gold spectacles which lie back upon his 
forehead. A white napkin is fastened round his neck over the scarlet cassock. 


Signed and dated at the upper right, “Anronio Casanova ¥ Esroracu, Paris, 1892.” 


C. EK. SWAN 


BRITISH 


No. 172— LION’S HEAD 


J 
4-9 ee Height, 20 inches; width, 16 inches hn» ee 


Tue head is shown three-quarters to the left 
against a dove-gray background. The general 
color of the hair and pelt is a tawny, brownish- 
yellow; the fringe on the chin being paler, as 
also the whiskers, which grow out of brown flecks. 
The eyes are liquid brown, the nose lavender- 
pink, while the rosy tongue shows between two 
teeth in the purplish lower jaw. The lion has a 
look of ferocity, though not of anger, even with 
the open mouth and fiercely dilated nostrils. His 
attention is directed keenly at something to the 
left and back of the spectator. Apparently it is 
something which he feels to be his legitimate 
prey, and he is ready for his meal. 


Signed and dated at the lower right, “C. E. Swan, 1900.” 


ANTONIO CASANOVA Y ESTORACH 


SPANISH (1847-1896) 


No. 173— FRAGRANCE 


f\ 
feos Janet 


y f Wi ce Height, 181%, inches; width, 15 inches gis \o- —eVYOn,’ 


Tue bust and head of a cardinal, in scarlet cape and biretta, are seen above the 
corner of a mauve tablecloth. His right hand grasps a gray-blue decorated 
vase, containing a bunch of white, pink and crimson carnations. As he sniffs 
their fragrance, his lips draw back in a smile, revealing the white teeth. 


Signed and dated at the upper left, “Anronto Casanova y Esroracn, Paris, 1893.” 


HENRY MOSLER, A. N. A. 


AMERICAN (1841- ) 


No. 174— HAYMAKER 


Height, 22 inches; width, 151% inches Rae 
e 
Dy ee MA cee 


A iru sits facing us upon a stile, resting one elbow on a ee and holding a 
rake to the ground. A red handkerchief is bound round her dark hair. A blue 
bodice, laced over a white chemisette and fastened upon the shoulders with 
black straps, fits over a bluish-green skirt, which is partly covered with a gray- 
blue apron. 


Signed at the lower left, “Henry Mostrr, Paris.” 


FRANK KNOX MORTON REHN, N. A. 


AMERICAN (1848- ) 


No. 175— A SUMMER SEA 


es Height, 16 inches; length, 27 inches , LY 
ERS es 1, tthe 


Two cuits hover over the foreground of water, where it slides toward the 
brown sand which spreads at the right. A little farther back the waves break 
gently in a series of foaming rolls, beyond which the water extends its greenish 
levels to a horizon, interrupted by the sails of a schooner and a small boat. 
They gleam white against a pale greeny-blue sky, which higher up is tenderly 
suffused with rose and shows at the left the sun-lit tops of some white clouds. 


Signed and dated at the lower right, “F. K. M. Renn, 1875.” 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 


No. 176— LATE AFTERNOON 


oy s wie Height, 14 inches; length, 22 inches Wr es : : 
—_— o cA wn va 


A wave rides across the middle distance, rearing to a point, and elsewhere 
toppling over and breaking into foam. The water in advance of it swirls 
around a glistening reef of dark-brown and reddish-yellow rocks which project 
from the right. The blue-green water in the foreground seethes with rosy 
white and cream. , 


Signed at the lower left, “ArtuHur Horser.” 


H. BRELING 
- GERMAN 
Noe 7— THE SPY 
PANEL 
< Lips 9 dee Height, 16 inches; length, 22 inches or yee ty ARAL OA 


In front of a rude tent a soldier, in red tunic and tan boots that reach to his 
waist, is lifting a woman’s cap from the tonsured head of a fat monk, who, 
dressed in female attire, kneels with hands clasped in an attitude of supplication. 
A little in the rear a stout woman smiles, as a man with drooping gray mous- 
tache whispers in her ear. Among the other figures which complete the scene 
is a young man mounted on a dapple-gray horse. 


Signed at the lower left, “H. Breiine.” 


JULES WORMS 


FRENCH (1832- ) 


No. 178— THE TOMATO SELLER 


Sy Height, 18 inches; length, 22 inches | me : 
pps Fro are 
Aw old man, seated in the center of a Spanish interiot turns in his chair to 
scrutinize the scales in which some tomatoes are being weighed by a young 
man, who stands at the left. Meanwhile, the latter looks over the head of his 
customer toward a girl, who stands by a table at the right of the background, 
wiping a plate. He is gaily dressed in a black beaver hat and short green 
jacket with scarlet sleeves, while a violet scarf is wound round the top of his 
olive-green breeches. The old man’s costume consists of a bright yellow cap, 
magenta vest, a crimson sash, green breeches and white stockings. 


Signed at the lower left, “J. Worms.” 


MADAME MARIE DIETERLE | 
FRENCH (1860- ) ( 


No. 179— COWS BESIDE A POOL 
ead. VO o Sa: Height, 121 inches; length, 161% inches 


A sepey pool in which some ducks are 
disporting themselves, occupies the 
right of the foreground. On the 
bank at the left, beneath a willow, 
lies a reddish-yellow cow with white 
face. Behind her stands a white one 
with a pinkish glow on her neck and 
shoulders. At the left is visible part 
of a purplish-brown cow with white 
face, while at the right a yellowish- 
red is stooping to drink. In the 
meadow beyond appears a man beside 
a white and black horse. In the distance are trees, softly silhouetted against a 
dove-gray horizon. 


Signed at the lower left, “Mart Dirrerte.” 


ANTOINE AUGUSTE ERNEST HEBERT 


FRENCH (1817-1908) 


No. 180— AN ORIENTAL BEAUTY 


Dray Height, 22 inches; width, 18 inches 5a aay 

Kd S — VY wee 

Tue bust, full-front, and the head, slightly to the right, of an Oriental woman 
are shown against a background of green leafage, flecked with yellow. Her 
black hair is ringed with a gold chain, from which are suspended little 
crescents. The eyes are immersed in brown shadow. Flat rings hang from 
the ears, while three strings of pearls encircle the neck. She wears a black 
jacket, edged and embroidered with gold, which shows the sleeves of the 
undergarment. These are of pinkish material, embroidered with creamy gray 
and barred with grayish-green. The right hand holds a dull scarlet fan. 


Signed at the center right, “H.” 


We -J /> 
TAAL YR WF mf hae 
( 


fa 


I 


OLAS 


FELIX ZIEM 


FRENCH (1821-1911) 


No. 181— SUNSET OVER CADORE 


PANEL 


Rie Height, 15 inches; length, 21°, inches : 
Tope Saris (2) 


A une of blue mountains, in which nestles the mountain-valley town of Pieve 
de Cadore, the birthplace of Titian, extends horizontally across the distance. 
Over it hangs a primrose sky, greenish above until it passes into faint blue. The 
sunset is seen from across an expanse of beautiful blue water, which reaches to 
the foreground. Here, at the right, a long gondola containing several figures, 
one of which is in blue, while another makes a spot of geranium scarlet, is 
putting out from the bank. The latter is covered with brownish and rosy grass 
and occupied by a tree with a sprinkle of reddish foliage. 


Signed at the lower right, “Ziem.” 


RENE BILLOTTE 


FRENCH (1846- ) 


No. 182— ROUTE D’ASNIERES 


ee Height, 181/, inches; length, 241% inches“, Vg , 
ZO 44—— ALS get Se AYA 


Ir is a gray day, coldly lighted, and the scene shows sharply against a dove- 
gray horizon, surmounted by blue. From the left of the foreground a roadway 
leads back, bordered at the right by a paling fence, over the top of which appear 
the black hat and the blue shoulders of a solitary pedestrian. At the right 
spreads a level of gray-green and buff grass which in the middle distance is cut 
into by a rectangular fenced yard, adjoining some pale-green trees. Beyond 
the enclosure is a horizontal row of houses, dark red in their lower stories and 
white above, with roofs that are colored variously drab, grayish-lavender and 
red. The line is continued at the left of the roadway by a house with a slate 
mansard roof, next to which are two conspicuously white buildings. 


Signed at the lower right, “Rene Bitiorre.” 


LEON GERMAIN PELOUSE 


FRENCH (1838-1891) 


No. 183— THE LOIRE AT VUILLA FAUX 


-ve Height, 181%, inches; length, 25°4 inch 
eee hatin 


THE scene is cee 
with gray; the water which 
flows back from the left. of 
the foreground being a gray- 
blue, stained with grayish- 
green reflections. It passes 
out of sight in the middle 
distance at a point marked by 
a tall poplar which cuts 
against the gray-buffs and 
slaty-grays of a grassy 
hillside, while the brown, dead 
top of the tree shows against the sky. At the left of the poplar a cottage 
with reddish wall stands beside an arched bridge. Nearer to the front on the 
left bank appears the bright rosy-cream wall of a mill, from which a water-— 
wheel projects over the stream. 


Signed at the lower left, “L. G. PELovuss.” 


GEORGES MICHEL 


FRENCH (1763-1843) 


No. 184— AN OLD OAK 


Height, 24 inches; width, 19 inches 
5 / 0 - ripe ; Sidereve 
‘On the left of the foreground of brownish-buff earth stands the aia bi 
very trunk of an oak, which leans toward the right and spreads its torn, etd 
and leafless limbs against the sky. At its foot lies another trunk, the sawn 
end toward the front and its splintered top reaching back to the right. Dark 
olive-green trees are massed in the rear and crown a knoll at the left. Above 
them float white clouds in a sky that grows to slaty-gray at the zenith. 


W. HUGHES 
BRITISH 
No. 185— STILL-LIFE 
PANEL 
— ec Height, 20 inches; length, 23 inches 
ald nr (r Ae OLD. AQ 


A warce red-glazed earthenware crock with a lid stands on the floor in the 
foreground beside a bunch of celery. On a settle behind, partly covered with 
a white cloth, are disposed a bowl, containing lettuce, radishes and onions, an 
English “cottage” loaf and an oil flask, bound with straw. In the back- 
ground, at the left, a door opens into a cellar, where a barrel appears. 


| 


Signed and dated at the lower right, “W. Huaurs, 1869.” 


ANT. MOLKENBOER 


HOLLAND 


No. 186— A CITY GARDEN 


aes Height, 24 inches; width, 18 Ea 
Sam 


Ristye from the left of the foreground, a bare treé=stem cuts the/composition — 
diagonally. A path, curving horizontally, divides the foregrotnd from a 
lawn, yellow with light. It is occupied by the statue of a child, while to the 
left grows an elm. In the rear a well, surmounted by a cupola, adjoins a vine 
arbor, which extends along the fagade of a red brick house. <A red wall at 
the right, separating the garden from the strect, is interrupted by a gateway, 
the piers of which are decorated with vases in pairs. 


Signed and dated at the lower right, “Ant, MotKENBorr, 1906.” 


G. FISCHER 
GERMAN 
No. 187— 3 HY ACINTHS 
3 Ses : Height, 204, inches; length, 25%, inche o 


A exass bowl is set upon a yellow tablecloth against a pale yellow background. 
It contains an arrangement of blue, white and rose-colored hyacinths. Their 
waxy blossoms are brilliantly illumined, while the stems, seen through the 
glass, show softly green in the water. 


Signed above the lower right, “G. Fiscurr.” 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 


No. 188— “MOON-LED WATERS WHITE” 
Height, 16 inches; length, 30 inches 


Tue full moon hangs in a mist of faint primrose-green, and trails a path of 
light over the smooth, greenish-gray water and wet sand. The latter is in- 
terrupted both at the left and right of the foreground by silvery-gray and 
bluish rocks, rimmed upon their upper edges with rosy cream. 


US & ae 
4 


Signed at the lower left, “AntHur Hoeser.” 


FRANCOIS CHARLES CACHOUD 


FRENCH (CONTEMPORARY) 


No. 189— COTEAU DE ST. ALBAN 
Height, 141, inches; length, 22 inch ~O ] 
hol eight, 1444 inches; length, 22 inches “AVN. # SPT a nana 

A vAnp of water crosses the foreground, reflecting in the soft moonlight tones 

of blue, dove-gray and olive. The opposite bank is fringed with bulrushes 

and tawny yellow reeds and grass. At the right, in the middle distance, 

three gray, olive-green poplars rise like spectres out of a mass of blurred 
pale-green and darker green foliage. At the left an irregular row of six 
cottages, with brown-red roofs and walls, greenish-primrose in the moonlight, 

shows against a clump of purplish trees and an olive-brown smoothly beveled 

hill. Three stars prick the greeny-gray blue of the sky, while at the zenith 

hover two fleecy olive-gray clouds. 


Signed and dated at the lower right, “F. Cacuoun, 1906.” 


: 
: 
| 
| 
: 
| 
| 
’ 
. 
. 


G. A. TRAVER 


No. 190— _ LANDSCAPE 


6 ar AiEEs Heights 24 inches; width, 18 ee 

Two TREES grow close together in the extreme left of Raced Their 

stems are seen against a brownish mottle of foliage. This belongs to some 
smaller trees on the farther bank of a stream which curves round to the right 7 
of the foreground. It reflects the butter-colored glow of the horizon, which 

is also tinged with cool green tones in the shadow under the bank. From the 

latter the meadow extends back to a clump of trees at the right. In the 

distance at the left lies a dove-gray hill. The sky over the horizon is yellow, 


curdled with cream, passing thence to a green that gradually grows bluer. 


Signed at the lower left, “G. A. Traver.” 


ANTONIO TORREZ 


SPANISH 


No. 191— A SPANISH BEAUTY 


; e Height, 24 inches; width, 181 ches aK 

Eig Ze a. 
Wut the lady’s head is posed three-quarters to ae inclined 
in the opposite direction. The type is characteristically Spanish; crimson 
lips, hazel eyes and darkened eyebrows. The black, curled hair is adorned with 
fluffy pompons of deep rose silk, over which is draped a white mantilla. The 
latter hangs down to the right shoulder and is drawn over the left arm, leaving 
visible only a little of the yellow bodice. 


Signed at the lower left, “Anronto TorrEz.” 


GUILLAUME R. FOUACE 


FRENCH ( -1895) 
No. 192— CHICKEN AND HAM 
So #265. Height, 20 inches; length, 26 inches ¢ yi Uf COM UDS ep Io 


A roast fowl, browned over in parts, 
is laid on a plate with its feet 
doubled back over the breast. The 
head has not been removed, and a 
sharp-pointed, silver-handled knife 
lies across the neck. The dish is 
decorated with a small running pat- 
tern of red volutes and blue and 
green leaves. At the back, toward 
the left, appears the shank half of a 
boiled ham, while to the right stands 
a green glass jar with the cork half 


drawn. 
Signed at the lower right, “G. Fouacr.” 
A. VOIGT 
GERMAN 
No. 193— COWS IN PASTURE 
L 0 co Height, 18 inches; length, 251, inches po ee ee 
ces / jie 


Tue yellow-green herbage, sprinkled with white and lavender flowers and some 
scarlet poppies, extends back to a horizontal strip of. yellow stubble, with 
two wheat-ricks at the extreme right. A level sweep of lavender hill com- 
pletes the vista, showing faintly against a drab sky, sifted over with dove-colored 
vapor. It is broken into at the left by a buff glare from which distant rain 
is falling. Near the center of the foreground a red and white cow lies with 
her head away from the spectator. At her left stands a brownish-red, splashed 
with white, while farther back at the right a drab cow lies, facing the front, and 
a yellow one, seen in profile, is grazing. 


Signed at the lower right, “A. Voter.” 


\ 


ee a ee 


JULIAN RIX 


AMERICAN (1851-1903) 


No. 194— STUDY OF A SNOW SCENE 


ce . ° “a . ° an - « : 
ve g oe Height, 24 inches; width, 16 inches pe ge YVUOG 


A ¥Ew spiky dead stems prick the snowy foreground, while at the right rises a 
knoll, surmounted by two slender tree trunks. At the left of the foreground 
a lamp-post, painted blue, stands beside two young cypresses. Near the center 
of the middle distance a group of drab and slaty sheds appears behind a tree, 
whose straggly limbs grow out from near the ground. ‘The suggestion of 
other trees in the rear is faintly indicated. 


Signed at the lower right, “Jutian Rix.” 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 
No. 195— HYANNIS PORT MARSHES 
= ee : Height, 20 inches; 1 h 30% ' 
Cape: eight inches; lengt inches nr». 


sprinkled with yellow iris. In the middle distance the greenish-gray water 
serpentines through the yellow-green marshes, which, as they recede, become 
green, and at the right pass into blue. The horizon is thick with dove-gray 
vapor above which emerge volumes of rosy lavender-creamy cloud, silhouetted 
against the sky’s pale gray-blue. 


0. 
Tue foreground is covered with a tangle of rich green itchy Coe 


Signed at the lower left, “Arruur Horser.” 


CLAUS MEYER 


GERMAN (1856- ) 
No. 196— THE LETTER 
-+7 4a ve Height, 254, inches; width, 204 inches 7° (J , 
ee J trecllrrhor 


Tue picture, painted in imitation of Vermeer of Delft, represents a young 
lady standing in profile before a table at the left, reading a letter. With the 
exception of a curl which strays over the cheek, the hair is drawn back and 
dressed on the crown. The latter cuts into a landscape picture, showing a 
white horse, which hangs on the wall. The girl is dressed in an olive-green 
skirt and a jacket of rosy-purple velvet, edged with white fur. Among the 
articles on the table lies an envelope with a red seal. A tapestry curtain is 
draped down the left of the composition. 


Signed and dated at the upper right, “Ctaus Mryrr, Munich, ’90.” 


LLL" 


JEAN GUSTAVE JACQUET 


FRENCH (1846-1909) 


No. 197— TETE CITOYENNE 


= yo Ay Height, 24 inches; width, wey Ly Linea 
rene 1g Sym ae Ae 


Tue figure, shown as far as the waist, te quarters to the right, is attired in 
an Empire gown of silvery-pink satin, fastened at the waist with a golden 
amber sash and bordered round the low bosom with the two flounces of a soft 
fichu. ‘The lady’s golden chestnut hair, fringed over the forehead, dressed 
in a roll upon the crown and bound with an apple-green ribbon, is set off with a 
pink ostrich plume. Her hazel eyes are fixed on the spectator. She wears 
a black velvet band round the neck, and earrings which are composed of a 
diamond, emerald and gold drop. 


Signed at the lower left, “G. Jacquet.” 


LEON RICHET 


FRENCH (1847-1907) 


No. 198— LANDSCAPE WITH FIGURE 
PANEL a4, 
Py) of g — Height, 19 inches; length, 2714 inches 1S Se U Sl che Se se 
( 


Tue olive-green herbage of the foreground is interrupted by little pockets of 
water, reflecting gray or cream light, by one or two boulders and by tussets of 
coarse brown grass. Some distance back, at the right, a woman in a crim- 
son skirt, blackish body and white cap, is bending beneath the weight of a 
faggot held in front of her. She is approaching a white-walled cottage with 
golden-red and olive roof, which occupies a shady knoll, overhung with trees. 
In the middle distance, at the left, appear a bright crimson roof and white 
chimney. ‘The center distance shows a vista of meadow, barred by yellow ight. 
It leads back to where rosy-red roofs nestle under yellow trees. 


Signed and dated at the lower left, “Lron Ricuert, *72.” 


ALEXANDRE NOZAL 


FRENCH 
No. 199— SPRING LANDSCAPE 
<4 2 oe Height, 20 inches; length, 26 inches i UD. Wer b Dy Pr we, Ay 


Diaconatty across the right of the foreground runs a path, bordered with 
grass and a sprinkle of violet and yellow flowers. It passes a fragment of 
fence, attached to the trunk of a sycamore, fledged with young leaves. Behind 
it small peach trees with faint, rosy blossoms grow out of a hedge that 
crosses to the left. Here an apple tree with a mass of white blossom rises 
beside a strip of tall wheat. More trees show beyond, and over their tops 
appear the red roofs of houses and of the nave of a church with a spire. The 
vista terminates in a gray-lavender hill. 


Signed and dated at the lower left, “A. Nozat, Gareches, (S.0.)” 


LEON GERMAIN PELOUSE 


FRENCH (1838-1891) 


No. 200— NEAR BOURG-PRES-MORTAIN 


6 oe Height, 18 inches; length, 26 in 
fied one olin AA 


Twiticut is settling over the 
village street, which leads di- 
rectly to the foreground. A 
woman, in white cap, dark 
brown body and blue apron, 
approaches carrying a 
basket. Farther back at the 
left, two women converse 
near a well, the slaty-blue 
hood of which shows against 
the bright green thatch of a a 
high-pitched roof. On the 
opposite side of the road a bay horse in a cart stands beside a house which has ae 
dormer-windows projecting from its slate roof. The distance is closed in 
with drab trees, showing faintly against the cold, pale cream of the horizon, 
over which lies a bar of grayish-claret cloud. 


Signed at the lower right, “LL. G. Prxouse.” 


FERNAND EMMANUEL PELEZ 


FRENCH (1843- ) 


No. 201— THE BAKER’S BOY 


Wed eo Height, 29%, inches; width, 1 inches wae Dercgaalth 


Wirn a smile on his large mouth, a boy stafids facing the spectator, both 
hands raised to steady a basket on his head, containing a pie. A baker’s 
white linen cap partly covers his blond hair, which is shaved close, giving 
extra prominence to his projecting ears. He wears a double-breasted white 
coat and a white apron over short, olive-drab trousers. The figure is seen 
against brown paneled woodwork. 


Signed at the lower left, “F. Perez.” 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 
No. 202— THE COAL WHARF 
ae, uw Lh PP 1 _ NAG 
ate, ee : Height, 20 inches; length, 30 inches Shiaey 
i 


A wHarr projects horizontally from the left of the middle distance, lined with 
various craft. A white sail glistens in the moonlight behind the gray-green 
hull of a steamboat whose greenish-blue funnel is marked with red. Off the end 
of the wharf lies a sailboat with dark blue hull. At the right of it in the 
greening sky a ring of rosy-cream vapor surrounds a misty full moon. 


Signed at the lower rig \t, “Arruour Horzer.” 


JULIAN RIX 


AMERICAN (1851-1903) 


No. 203— STILL LIFE 
PANEL 
Height, 20 inch length, 321%, incl WA, 
0 ight, 20 inches; length, 3214 i } A 
NS abs eigh inches g 7/2 4 OG BDL SD VW. LO ses 


Various articles of masculine contentment are disposed in a brown, shadowed 
niche in a silvery-drab wall. A cigar, which shows a rim of red beneath the 
ash, projects over the edge of the masonry. Behind it is an open packet 
from which some flakes of tobacco have escaped. ‘They lie beside the well- 
colored bowl of a clay pipe, the stem of which rests against the rimged handle 
of a schnapps flask. At the left of the latter stands a benedictine bottle. 


Signed at the lower right, “Jurtan Rix.” 


V 


Kr A. 
/ 


P. MARCOTTE DE QUIVIERES 


FRENCH (CONTEMPORARY ) 


No. 204— THE FISHING FLEET 


i ines Height, 20 inches; length, 29 inches , ), 
Tue drab and brownish-red sails of the fishing fleet spot the middle distance 
and stretch to the horizon, where a streak of light, or it may be shore, separates 
the water from a sky, turbulent with slaty-purple vapor. In the foreground 
the gray water is sliding over the flat sand, its ripples frilled with white and 
showing pale green in their hollows. Some small rocks, covered with bright 
green seaweed, appear at the right, while two gulls are flying low over the 
water at the left. | 


Signed at the lower left, “P. Marcorre DE QUIVIEREs.” 7 


LOUIS NEUBERT 


GERMAN (1846-1892) 


No. 205— NEAR MARSEILLES 


oO on ee Height, 16 inches; length, 311, inche i a 4, 


From the left of the foreground, marked by two small rocks, the pinkish-drab 
sand extends to the right. It is sprinkled with stones and terminates in a 
distant spit, where figures are visible beside a boat. The beach is bounded 
in the rear by a sea-wall, over the center of which appears a building, com- 
posed of a series of rectangular masses, crowned with a tower. At the left is a 
cypress, beyond which spreads a hillside, dotted with houses and surmounted by 
a row of cypresses that show dark against the primrose of the sky. 


Signed at the lower left, “LL. Nrusert.” 


LEON RICHET 


FRENCH (1847-1907) 


No. 206— _ L’ALMEE 


. PANEL 


3 OO <0. Height, 29 inches; width, 23%, inches ees, E 
=: TMA - = LAI 


Aw Oriental lady is seated at the right of a shady garden retreat, watching 
languidly a dancing girl. The latter, while she holds a veil behind her body 
with extended hands, sways to the left, her brown hair floating loosely from a 
crimson cap decorated with sequins. Her costume consists of a white under- 
skirt and an upper one of old rose, which is fastened round the waist with a 
gold band and embellished with a sash. Close behind her kneels a girl in a 
green drapery, waving aloft a tambourine. Two other girls are seated in front, 
at the left, with their backs toward the spectator. A mandolin lies beside one 
of them and in the center of the foreground stands a low tabouret, holding a 
flask and three liqueur glasses. 


Signed and dated at the lower right, “Leon Ricuer, 1881.” 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 


No. 207— CAPE MARSHES 


Height, 20 inches; length, 30 inches - tf f sare Oy 
Bot V6. Lh he 


Tue level vista, clothed with coarse, juicy herbage, passes back in tones of 
green that yield to cream, which in turn changes to yellow and thence to a 
bluish and yellowish-green at the horizon. Over the latter float layers of 
creamy cloud, tinged toward the zenith with rose. The sky’s hues are caught 
in a flare of reflection on the surface of a pool in the foreground, fringed with 
reeds. 


Signed at the lower left, “ArruHur Horner.” 


HEINRICH FUNK 
GERMAN (1807-1877) 


No. 208— LANDSCAPE 


ys a” vo Height, 19 inches; length, 31 fiiches 


A tarce oak occupies the center of the foreground, gripping the bank with 
its roots. At the right of it two women, one having her arm Yound the other’s 
waist, are mounting a pathway which ascends and then curves round to an 


eminence that appears at the left of the oak. Here two figures are worshipping” 
before a little shrine, surmounted by a cross. 


Signed at the lower right, “H. Funx.” 


C. AYER WHIPPLE 


AMERICAN 
No. 209— STRAY NOTES 
ee Height, 30 inches; width 18 inches 
On | “VA. 


Sranpine back to the spectator in front of a piano, with her left knee restwig 
on a chair so that the sole of her shoe is exposed, a lady looks down at a sheet 
of music, while her right hand strays over the keys. A rosy-white gauze 
fichu, revealing her right shoulder and neck, envelopes the body of her gown, 
which is of dull scarlet material, silvered over with lavender and bluish tones. 
Her head shows against an etching that hangs on the opposite wall. 


Signed and dated at the lower right, “C. Aver Wutppte, 1901.” 


RENE BILLOTTE 


FRENCH (1864- ) 


No. 210— ROUTE DE LA REVOLTE 


es y ee Height, 21%, inches; length, 311% inch ve 
From the foreground recedes a vista of broad footpath, bordae 
trees at the left, where it is paralleled by the roadway and the opposite foot- 
path. On the last a solitary figure is passing a fence and advertising board, 
beyond which stand a white and a drab house, both showing red frames to the 
doorways. A wagon with a load of straw breaks the monotony of the road- 
way, while on the footpath at the right appear two figures in the middle 
distance and in the foreground a group of three children, following a woman 
dressed in white. Vacant lots extend along the right of the footpath. 


Signed at the lower left, “Rene BixuoTte.” 


FRANCOIS FLAMENG 


FRENCH (1856- ) 


INOS? GL WITH BONAPARTE IN ITALY 


| pe Ba Height, 25 inches; length 391, inchés ff : 
(ee Cae k sie 7 Ho arr 


Tue scene commemorates Bonaparte’s famous ceampiee against the Austrians 
in Northern Italy, 1796-97. The army, fresh from its victories at Castiglione, 
Rivoli and Roverbello, is on the march to Verona. Bonaparte, accompanied by 
his staff, rides across the foreground toward the right. Distinguished by a 
tricolor sash, he occupies the right of the front rank, the officers at his left 
being General Berthier, Chief of Staff, and General La Harpe, commanding 
the First Division. The personages in the second file, reckoning from the left, 
are General Masséna, commander of the Second Division; Lannes, Colonel of 
Hussars, and Eugene Beauharnais, Bonaparte’s adopted son, serving as his 
aide-de-camp. Behind the last named rides Marot, Colonel of Chasseurs, at 
whose side, conspicuous by his long hair, is Auguerean, now commanding the 
Third Division and later to be made Duke of Castiglione. The staff is escorted 
by a troop of Hussars, while on the lower ground in the distance at the left 
regiments appear, extended in line formation and crossing a pontoon bridge. In 
the middle distance at the right lies the little town of Roverbello, its towers 
rising against purple mountains, above which soar the snowy peaks of the 


Italian Alps. 


Signed at the lower right, “Francors FLramenc.” 


JEAN LEON GEROME 


FRENCH (1824-1904) 
No. 212— THE TULIP CRAZE 


AE ee og Height, 26%, inches; length, 391%, inches () \ 
a e On Orne 


fo ee 


On a pathway adjoining a vista of rectangular patches of tulips, scarlet, pink, 
purple and other hues, a dandy of the seventeenth century stands pointing his 
rapier down to a pot containing a rose-colored blossom. He is fantastically 
attired in a drab felt cylindrical hat, adorned with a black plume; white ruff; 
a brown doublet with blue silk sleeves; trunks of a lighter brown and a black 
velvet cloak. In response to his gesture, two soldiers in steel morions and 
breastplates, leather jerkins and boots that reach to the thighs, are hurrying 
forward on the run. Meanwhile, the rest of the company, in charge of a 
mounted officer, are heedlessly trampling over the tulip beds in the rear. The 
scene is bounded by a row of houses with dull red roofs, over the top of which 
rises a high narrow tower, surmounted by a lantern spire. 

Tulips were introduced into Europe by the Turks. In 1559 one Conrad Gesner brought them 
from Turkey to Augsburg. Thence they were imported into Holland, Haarlem becoming, as 
it still remains, the center of the industry. During the seventeenth century occurred “the 


tulip craze,” when speculation carried the price of bulbs in certain instances up to 2,500 
florins, and even, according to some writers, as high as 4,600 florins. 


Signed at the right of the lower center, “J, L. Grrome,” SS 
yp} Heike flor 


FREDERICK AUGUST VON KAULBACH 
GERMAN (1850- ig 


No. 213— DAY DREAMS 


Height, 391, inches; wid ig 29 7. inches 


yf , 
aa oe 


pe 26 Fees wae eae, 
A GARDEN bench, painted red, is disposed across ht PORE At the en 


end of it a lady sits with her left leg crossed over the knee of the other, seen 
in'profile, while her body and face are turned to the front, the gray eyes being 
fixed on the spectator. Her right arm extends along the top of the bench, 
the hand holding a book, while the other hand lies upon her lap. Her dark 
hair is decked with a tortoise-shell comb, the head being silhouetted against a 
mass of pale gray-green foliage. She wears a white dress of soft material 
that reflects tones of cream, lavender-pink and very pale red-plum. Black 
velvet bands encircle the shoulders and cross the bosom, and a sash of dark gray 


silk confines the waist. A bush of pink and white camelias grows at the left 
of the foreground. 


Signed on the top of the bench, “F. A. Kautpacn.” 


i= 


WERNER SCHUCH 


GERMAN (1843- ) 
No. 214— THE BATTLE OF LEIPZIG 
6 oo en Height, 34 inches; length, 431, inches 0 
JF TMMMB"Y/LaANZD 
THe picture commemorates the victory of the Prussians and their Blissian, 


Austrian and Swedish allies over Napoleon, October 16-19, 1813. (General 
Schwarzenberg is shown, surrounded by his staff. ‘The group occupies a sum- 
mit at the right, overlooking the battle which is proceeding down below in the 
distance at the left. An aide-de-camp, dressed in a gray frock coat with red 
collar and gray, tightly buttoned breeches, is reporting something to the 
General, who wears an olive-green coat and cocked hat with a white feather. 
Between the two is a third figure, wearing a pale blue coat with high red collar 
and a green feather in his gold-trimmed hat. At the immediate right of the 
foreground two officers, one of them notably stout, are on foot, studying a map. 


Signed at the lower right, “WreRrNeR ScHucH.” 


FRITZ VON UHDE 


GERMAN (1848-1911) 


No. 215— THE FLIGHT 


ys ay, Py est Height, 4814, inches; width, ihe 41 eae 6, : 

Tuis is one of the artist’s pictures of the Bible story translated into the ver- 
nacular, as it were, of Bavarian peasant life. The young mother sits leaning 
against a trunk at the right of a grove of yellow beech trees. Her feet are 
stretched out; one hand rests in her lap; the other hangs to the ground; the. 
gesture of the whole body being eloquent of weariness. Her baby is on the 
lap of a gray-haired, gray-bearded man who sits facing the spectator, almost 
completely enveloped in a brown cloak. The donkey is seen, grazing behind 
the trees at the right, where the pasture is flooded with yellow light. In the 
foreground at the left lies a carpenter’s bag, filled with tools. 


Signed at the lower right, “Von Unopr.” 


PINKNEY MARCIUS-SIMONS 


AMERICAN (1867-1909) 


No. 216— SUNDAY MORNING, MAISON LAFITTE 


| o 
it 3 0 “ad Height, 21 inches; length, 36 inghen Pee N ( sd ened | 


A BUILDING occupies the back of a little court, shaded Dy trees and Melnened ( 
with figures. From a doorway at the left of the fagade, surmounted by a 

statue of Madonna and Child, lit by soft sunshine, some girls are appearing, 

headed by one in a scarlet cloak and another in pale blue body and pink 

skirt. In the middle distance a young man stands reading a newspaper, 

while a companion, leaning against a tree, looks over his shoulder. At the 

left of the foreground an old man, seated with his back to the spectator, turns 

his head to listen to a friend at his side who is gesticulating as he talks. At 

the extreme right a young girl in black hood and cloak, carrying a prayer- 

book, walks beside a child. 


Signed at the lower right, “Marcrus-Srtmons.” 


ALBERT LOREY GROLL, A. N. A. 


AMERICAN (1866- ) 
No. 217— RIDGEFIELD, NEW JERSEY 
Pr) Height, 25 inches; lent 35 inches & n WL Sts R ; 


Tue foreground of meadow, broken up with tones of yellow, green and russet, 
slopes up at the right to a knoll, crowned with maples. Their foliage, where it 
shows against the sky, flares scarlet, while the central mass is green, passing 
into red and golden yellow. <A little distance back from the left of the fore- 
ground grow a few crimson flowers, beyond which the ground rises, creamy 
yellow, to a clump of orange-tawny trees. To the right of them appear some 
buildings, particularly the end of a house with a gambrel roof, which catch the 
light. They are seen against a distant level range of grayish-green hill. The 
sky, creamy over the horizon, is tinged above with pale green that changes 
toward the zenith into bluish purple. 


Signed at the lower right, “A. L. Grout.” 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 
No. 218— SUMMER EVENING 
JC es Height, 22 inches; length, 30 inches 


Over the flat sand the gray water, flecked with blue, slides in advance of two 
long, low sweeps of curling wave. The horizon is blurred with lavender mist, 
above which are dimples of rosy cream and a full moon, enveloped in creamy 
vapor. 


Signed and dated at the lower left, “Arruur Hoeser, 1907.” 


JULIAN RIX 
AMERICAN (1851-1903) 


No. 219— PASSAIC VALLEY 


Pats Height, 341%, inches; width, 21% inches _ 
eit es L, (9. WR AD 


Iw the fitful light from a blue sky, scattered with tufts and volumes of white 
and gray vapor, a patch of grass near the foreground shows yellow-green. It 
is intersected by a path, which curves back to a gray-green shed, attached to 
another at right angles. The light also yellows the foliage of a big tree and 
some smaller ones which crown a gentle slope at the right. Beyond the 
illuminated foreground a wooded valley, deep blue in shadow, save for touches 
of red roofs and some flecks of light, extends back to distant, wooded hills, 
whose purple hue is interrupted by pale lavender and dove-gray. 


Signed and dated at the lower right, “Jutian Rix, 798.” 


EK. KEYSER 


GERMAN 
No. 220— BRINGING HOME THE APPLE BOUGH 


Oo ) oe Height, 26 inches; length, 33% inches i f j) 
te-., 


Turee children are coming down a gentle incline, descending from the right, 
where a bunch of willows stand. The foremost of the group, a little girl in a 
white cap with faint rose and cream kerchief over her gray-lavender bodice, is 
carrying a bough of apple blossoms. It is also supported by an older girl, 
with soft chestnut-brown hair, braided at the neck, who is dressed in an old 
rose bodice and olive-black skirt. She holds the hand of a small child, who 
grasps the girl’s arm with her other hand and lays her face against it. 


Signed at the lower left, “EK Keyser.” 


CESARE DETTI 


ITALIAN (1848- ) 


No. 221— THE STANDARD BEARER 
oe ae an Height, 361 inches; width, 29 inches Jl Y| rf 2 
ee pe ‘ Vv. to. Ute 


A FLAG, with indications of rose and buff devices, on a mossy-green ground, is 
held over the left shoulder of a man whose figure is shown as far as the hips, 
three-quarters to the right. The brim of a round black hat encircles his brown 
hair, which is arranged in curls over the ears. His moustache, turned up at 
the ends, is light chestnut. A soft white collar, edged with lace, falls over his 
cream and gold silk damask vest, which is fastened by a close row of buttons 
and embellished at the waist with silvery bluish-green tags. Over this is worn 
a rich mantle of pearly silk with a salmon-rose turnover collar. A glimpse of 
lining of the same color shows at the wrist of the man’s right hand, which is 


planted on the hip. 
Signed at the upper right, “C. Dertt.” 


VO 111 Wig 


A 


bai tt & 


GASTON DE LATENAY 


FRENCH 


No. 222— NEAR BORDEAUX 


— > of Height, 32 inches; len 44 inches 7 pene 
oO ree oo ey ; ee 
Yirr. - Lee 


Tue sea spreads a smooth green surface, tinged with tones of sapphire in the 
ripples of the foreground. A few little puffs of dove-gray vapor float in the 
lower part of the gray-blue sky. Near the front, at the right, is a French 
fishing-smack with two creamy sails and one blackish-red. Over at the left are 
two other boats, distinguished, respectively, by the red and the blue of their 
hulls. In the central distance appears a packet-steamer with red funnel. 


Signed at the lower right, “G, LaTenay.” 


LEON GERMAIN PELOUSE 


FRENCH (1838-1891) 


No. 223— STUDY OF TREES 


ce Height, 434% inches; width, 31% inghas Pa ; 

30 — St 9 etna 
A urtLe knoll on the coast is occupied by three scraggy trees, driven over 
and wrenched into tortuous shape by wind. Their upper limbs are tufted with 
foliage, while the greenish-black trunks, apparently overgrown with ivy, show 
dark against a farther mass of soft, silvery, brownish-gray leafage. A strip 
of lavender-pink sea appears at the left, beneath a gray sky, curdled with 
cream, that passes above to dove-pink and at the zenith to pale blue. At the 
right of the trees a peasant woman, in white winged cap, olive-slaty skirt and 
rough drab apron, stands leaning over a little child who is seated on the 
ground. 


Signed at the lower left, “LL. G. Prtouse.” 


THOMAS CRESWICK 


BRITISH (1811-1869) 


No. 224— A MOORLAND STREAM 


/ b Height, 341, inches; length, 441/,, inches SY See; . 
fo o— : ‘is 4 : Yn .kKeanrl PSS 
Tue scene is a rocky glen, running up into the side of a moor, the summit of 
which shows in the extreme background against the blue and white sky. The 
foreground presents a picturesque confusion of boulders which form irregular 
banks to a stream. The latter in the middle distance spreads to an olive- 
brown golden pool, whence it descends in two falls and brawls among the 
stones in the foreground. A fisherman is casting a fly over the pool, while his 
companion stoops toward the water. Behind them grows a cluster of young 


beech trees, with autumn foliage of golden reddish hue. 


= 


PAUL WAGNER 


GERMAN 
No. 225— CHILDREN FISHING 
v~ ae Height, 35 inches; length, 51% inches | 7] p ri pis 
~oo0 — 4. Jb OWA 


From some reeds at the left a boat projects diagonally across the foreground. 
A girl is seated in the stern, scraping a fish before putting it into a tub at‘the 
bottom of the boat. She is dressed in a straw hat, a bodice of green, pink, 
drab and slaty plaid, a grayish-blue apron and a brown skirt. A little child 
holds her arm with one hand, while the other grasps a fish. In the bow a boy, 
whose trousers are turned up over bare legs and feet, stands fishing with a 
stick for a rod. Beside him are two smaller children, one holding a piece of 
bread and butter and pointing at the float, the other gazing into the water. 
The group is seen against a pleasant background of greenish-yellow hillside, 
sprinkled with trees. 


Signed at the lower left, “Pau Wacner, Miinchen.” 


a AS me 
a agit? a 
2 a 


ee 


JEAN BAPTISTE ROBIE 


FLEMISH (1821-1899) 


No. 226— ROSES 


PANEL 


9 <V “= Height, 514% inches; width, 37% inches QL Tt Ae 
fo Sale : f 


Tue center of the mass is occupied by a magnificent profusion of Gloire de 
Dijon roses, buds and full-blown flowers, the latter showing pinkish-yellow in 
their hearts. At the lower right is a cluster of bluish-red and silvery roses, 
possibly La France, surmounted by some blossoms of deep crimson hue. <A few 
of the latter variety are also sprinkled at the lower left. 


Signed at the lower right, “J. Rost.” 


FELIX ZIEM 


FRENCH (1821-1911) 


No. 227— INUNDATION, PLACE ST. MARC 
sat Si Te Be Rad Height, 511%, inches; width, 3834 inches. ; 
ener ef / SF + a S 


Tue foreground presents a sheet of richly colored water. rea isamcteee the 
right by the three flagstaffs, with red and yellow gonfalons, and at the left 
by the portal of St. Mark’s. Gondolas are moored in front of it. The water 
extends to the column of St. Mark, beyond which appears, lit with rosy 
glow, the Campanile of San Giorgio Maggiore. 


Purchased by the late owner from E. Cronter, Paris, previous to his public sale, 1905. 


Signed at the lower left, “Ziem.” 


FRITZ VON LENBACH 


GERMAN (1836-1904) 


No. 228— PORTRAIT OF BISMARK 
wh Sige Height, 51 inches; width, Bef Yi ‘ 
Cea ae tA L0- ot CWA Len 1 “_ 


“THE Iron CHanceLtor” is shown thre ee-quarters Tength, hous Fuil- front, the 
head inclined three-quarters to the left. The top of the head is bald; the hair 
over the ears being, like the moustache, gray-blond. The left hand holds the 
hilt of the sword, while the right rests on a green-covered table. The figure is 
encased in a double-breasted black frock coat, with yellow collar and epaulets 
of twisted gold thread, while a narrow yellow stripe surrounds the cuffs. The 
Iron Cross is fastened over the left breast. 


Signed above the lower left, “F. Lenspacn.” 


C. AYER WHIPPLE 


AMERICAN 


No. 229—PORTRAIT OF JOHN HAY, THE LATE SECRETARY 
OF STATE 


bee a 


Height, 52 inches; width, 40 inches. ; 


Tue Secretary, in characteristic, alert and affable, though serious, expressions 
is shown at three-quarter length, seated erect in a high-backed armchair up- 
holstered in reddish-brown leather, his face and gaze turned slightly to the right. 
He wears a black business suit and a dark cravat with a pearl pin. In his right 
hand is a gray-olive bound book, closed, but with a finger between the pages; 
the left hand falls easily over the opposite arm of the chair. His knees are 
crossed and the painter has rendered the whole pose as one of dignified ease. 
The head and face have been carefully worked up for likeness and lifelike 
expression. The light falls upon the sitter from his right, the high light of 
the portrait being on the right brow. 


Signed at the left, C. Aver Wuippte, 1906. 


Q. Vn. VU aan, 


THIRD EVENING’S SALE 
WEDNESDAY, JANUARY 171, 1912 
IN THE GRAND BALL ROOM OF THE PLAZA 


Firto Avenue, 58TH To 597TH STREETS 


Becinnine at 8 O’ciocKk 


LUIGI LOIR 
AUSTRIAN 
No. 230— A PARIS QUAY—EVENING 
PANEL 
—26 Nina 4) 
bom se Height, 6 inches; length, 8 inches a ¢ Vy te hZ 
/ . er 


TuHE pavement of the quay, lavender rosy-buff in color, pee el, 


from the left of the foreground. It is enlivened with figures, some of which 
are gathered round a dull-red square ticket office, while a man dressed in black 
and wearing a high hat is walking toward the iron gangway that connects with 
the pontoon which carries the steamboat waiting-station. In the rear appear 
two flat arches of a bridge, one of which is cut by the smoke of a tug. A pale 
primrose light suffuses the evening sky. 


Signed at the lower left, “Lorr, Luici.” 


Yo 


H. BRELING 
GERMAN 
No. 231— THE DRINKER 
PANEL of yy ey 4 ; 
ae , Sp 
S es Height, 6%, inches; width, 41% reek ee i ae) tot 10 O01 


A man, three-quarters to the spectator, is seated astride a chair, resting his 
elbow on the back and holding his chin in his hand. The left hand grasps a 
long glass of red wine as it rests on his leg. His costume includes a felt hat, 
set off with a stiff brown feather, a creamy white jacket, olive-brown breeches 
and dull rose-red stockings. <A flagon stands on the floor at the left. 


Signed at the upper left, “H. Brerine.” 


LUIGI LOIR 


AUSTRIAN 


No. 232— PLAGE A ST. C 
=o debe Brnnadine 
14 inches 


3 yb ¢ 7 “  * Height, 10 inches; length, 


From the foregxound the vista of ongecs extends back to a building with 
red brick and white plaster walls and™slate roofs, surmounted by a tower. 
Beyond the mass lies a horizontal range of wooded hi” The walk is enlivened 
with figures, conspicuous among which are a lady in, dark tippet and brown 
dress; another in a drab costume and a third wh s she sits on a bench, 
displays part of her white petticoat qgmer a bt , dotted with white. 
The sand at the left forms a curve round the gray water, against which the 
white caps and aprons of three bonnes in charge of some children strike distinct 
notes. 


Signed at the lower right, “Lom, Luter, 116.” 


KOLA 


be Py sO7Ex ES ! Fa be 
S750. 4uag? he thukeunr : 


PINCKNEY pe SIMONS 


AMERICAN (1867-1909) 


No. 233— GATHERING SHADOWS 


PANEL 


of 
ta G@— Height, 914, inches; length, 1414, inches | elt 
( eat Yo BaP aro ~ Loe 
Tue sky presents a ferment of slaty clouds, growing grayer at the right, 


where peaks of rosy lavender emerge from a bank of pinkish, slaty vapor. 
Rosy light illumines a pile of architecture on the summit of a knoll. In the 


middle distance, at the left, a dark figure, hooded and cloaked, walks beside a - 
woman whose cap and waist are white. Nearer to the front, in the center of 
the composition, are two trees, whose branches, covered with bushy brown : 
foliage, grow from near the ground. A signboard at the right announces 
“Chasse Gardée.” In the foreground, a woman with a bundle on. her head 
stands near another who kneels beside a pool, beating her linen with a mallet. 
Signed at the lower right, “Marcrus-Stmons.” 

< 


MAX SCHODL 


GERMAN (1834- ) 


No. 234— OBJETS DE VERTU 


4 
2° y, ~ 


) ; Yin * api VY 4 r? y/ 

“a / 2 ee Height, 1314 inches; width, 914 inches J ttt: H(., OWA oe 
A pvEEP blue silk drapery, embroidered with roses and leaves, hangs at the 
left of the foreground, over the edge of a table. On the latter are disposed 
various objets de vertu. In front of a cabinet, whose panels are embellished 
with white flowers, stands a jar, mounted on three legs, with a kylin on the 
lid. The body is decorated with a blue and red design in which is a panel 
representing a garden scene. At the right stands an ivory image, toned to 
brown in parts, of a woman with draped head, dressed in a kimono, who holds 
a rosary in one hand and in the other a long basket containing two lotus blos- 
soms. By her side stands a child, whose hand is raised with the palm toward 
the spectator. 


Signed and dated at the upper right, “Max Scuopt, 1889.” 


JEAN RICHARD GOUBIE 


FRENCH (1842- ) 


Noes me 8 ie bx atlases nee 


/ 4 sae Height, 1114 inches; length, 15 inches 


A savy, in black habit, high 
hat and white gloves, rides 
with easy seat a dark brown 
horse, which is approaching at 
a walk in the center of the fore- 
ground. She has gained the 
summit of a slope and turns her 
head to the left, as if speaking 
to a huntsman in pink coat and 
blue breeches, whose chestnut 
horse has all but reached the 
top. The head and shoulders of 
another huntsman, his horse’s 
head and the head of a gentle- 
man in a high hat are emerging from below. The foreground at the left 
shows slabs of rock, while elsewhere its yellowish grass is sprinkled with brown 
scrub. Birch woods close the scene. 


Signed and dated at the lower left, “Rictarp Govusin, 1892.” 


ANTONIO CASANOVA Y ESTORACH 


SPANISH (1847-1896) 


No. 236— FLIRTATION 


¢ 


eo” ist = Height, 16 inches; width, 13 inches j AY J ANNA A: Om, 
rie / 

A rat brother of the Carthusian order, in creamy-white hood and habit, is 
seated beside a Spanish beauty at an open window. As he rests his chin be- 
tween his thumb and forefinger and ogles her with a leer, the lady holds her 
fan between his face and hers. Her black hair is dressed with a tortoise- 
shell comb, from which a white lace mantilla falls over the shoulders of her 
pink-and-green damask silk bodice. 


Signed and dated at the lower center, “Antonio Casanova y Esroracu, Paris, 1882.” 


ah | LOUIS NEUBERT 


GERMAN (1846-1892) 


No. 237— NEAR MARSEILLES 


PANEL 
gn ke pl 
Oto Height, 7°4, inches; length, 151% ne 7 


Tue tide is out and the flat wet sand, interrupted with little pools and masses 
of yellow-brown seaweed, reflects the hues of the creamy sky and the dove-gray 
clouds, rimmed with primrose, which hover over the horizon. From the fore- 
ground at the right a boy, carrying a basket, is walking toward some figures in 
the middle distance. Here beside a barrow a man in blue apron is raking, and 
a woman waits near him, dressed in a white cap and brown shawl. Farther 
back on this side a shepherd and his flock are visible on a yellow slope. Near 
the foreground at the left three figures are stooping beside the edge of the 
water. 


Signed at the lower right, “L. Nevupert.” 


LUIGI LOIR 
J VY AUSTRIAN 
No. 238— BOIS DE BOULOGNE 
7 "iS ces Height, 161, inches; Thee inches 


Snow covers the ground, the branches of thé ere roofs of several build- 
ings. It is tinged with blue from the light of the electric lamps, which glow 
softly in the misty lavender atmosphere. At the right of the foreground a 
man, dressed like the footman of a private motor-car, stands behind a fence. 
He appears to be in attendance on a lady who is seated in front of the fence, 
while a boy puts on her skates She is dressed in an olive-brown skirt and a 
black jacket, trimmed with brown fur. At the left of the boy two advertis- 
ing boards are propped against a post. The scene at the back is animated 
with groups of figures. 


Signed at the lower left, “Lo1r, Luter.’ 


awe 


Yo 


ee OSCAR LOUIS EDOUARD MASCRE 


FRENCH 
No. 239— FLOWERING FIELDS 
Jp y) eel Height, 111% inches; length, 1514 inches 


Tue foreground of yellowish-green grass is profusely spotted with yellow 
daisies, interspersed with a few red poppies. It passes in the middle distance 
to smooth green, which at the right is replaced by lavender-pink and blue. A 
church-spire shows above the lavender-brown roofs of a group of cottages that 


_ hie at the foot of a wooded slope. In the extreme distance, at the right, looms 


the lavender and violet mass of a high hill, whose craggy summit rises to a 


small peak. 


_ Signed at the lower right, “O. Mascre.” 


2 0 ma CLAUS MEYER 


GERMAN (1856- ) 


No. 240— THE STUDENT 


Height, 15%, inches; width, 13% inches ee iG 
se ce og ¢ Cn nretinn'1aww_ 


SeaTED at a table, with his back three-quarters to the spectator, a young man, 
of studious and refined expression, turns his face over his left shoulder toward 
the front. His figure is shown only to the level of the table-top, on which 
the left arm is extended, the hand grasping a tall glass, decorated with three 
rings and a colored device. His right hand holds a clay pipe in the mouth. 
The round brim of a black hat encircles the brown hair, which is worn long to 
the shoulders. A broad white collar, cut square at the back, lies flat upon a 
scarlet tunic, which has cuffs at the elbows, revealing the full white sleeves of 
the shirt. 


Signed and dated at the upper left, “Craus Meyer, ’86.” 


VU : 46 PES ie 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 


No. 241— EVENING — 


/ 


oS O (tale Height, 12 inches; length, 16 inches if ; . 


In a faintly blue sky, dappled lightly with cream and lavender, the full moon 
hovers in a blur of misty vapor. The suffused light greens the blue and 
lavender of the water in the middle distance and warms to a rosy buff the upper 
surfaces of four boulders which are grouped in the center of the foreground. 


Signed at the lower right, “ArtHur Horser.” 


{> 
A. ol 
a a> 
So FRANCOIS CHARLES CACHOUD 
| FRENCH (CONTEMPORARY) 
No. 242— VILLAGE STREET, MOONLIGHT 


ne eG isthe Height, 91, inches; ons ae ‘5 

SILENT in the moonlight, a village street slopes gently up from the foreground. 
It is barred with patches of shadow, cast by a cottage and trees at ‘the left, 
which are separated by three posts. At the right of the foreground appears 
a high gate-post with a portion of the gate. It adjoins a building with one 
window, which is built against the taller gable of a cottage that has two win- 
dows, raised high from the ground, and a funnel-shaped opening in the roof. 
The latter is of tawny-brown thatch, projecting upon beams over the plastered 
wall, which is greenish-cream in the moonlight. Three trees, and a structure 
with a pointed roof, vaguely seen, close in the vista at the rear. 


Signed and dated at the lower right, “F. Cacuoun, 1905.” 


<<. 


a ALBERT LYNCH 


PERUVIAN (CONTEMPORARY ) 


No. 243— THE BLACK NIGHTINGALE 
: : cy Bea ©, 

ee Height, 163, inches; width, 14 inches va Ae Weel 
Tue head and bust of a young lady are shown three-quarters to the left. The 
face is refined in expression, with gray-blue eyes fixed on the spectator. The 
chestnut hair, rolled back over the forehead and streaming down onto the 
shoulders, appears beneath a nightingale. The latter is of black silk, sprigged 
with little violet blossoms on short stems. Its design involves a mob crown, 
a curtain at the neck and a quilled border, lined with lavender-pink, that rises 
toa peak in front. A bit of yellow chemisette appears on the bosom. 


Signed near the center of the left, “Atpert Lyncu.” 


30 FRANCOIS CHARLES CACHOUD 
a 


FRENCH (CONTEMPORARY ) 


No. 244— ROUTE DE NEUFCHATEL, PAS DE CALAIS 
To Ce Height, 15 inches; length, 2134 inches jprbcavnwt YL Cee7 er 
ys 


A FULL moon of butter-color, surrounded with a faint rosy aura, hangs in a (4 
drab sky, interrupted by three flots of pale yellow cloud, hovering over the 

lavender-rosy flush of the horizon. The latter is crossed by a drab-green range 

of hill. Seen against it is a yellowish mossy-green bank that slopes up toward 

the left, where a pollard willow spreads its soft blue-green foliage. Below the 

bank a road crosses diagonally from the left, disappearing behind a knoll of 

bright green grass. It is surmounted by a dark olive stem, the almost leafless 

branches of which slant to the left and show against the sky. 


Signed and dated at the lower right, “F. Cacuoup, 1906.” 


5 a 

(4 S PIERRE EMMANUEL DAMOYE 
oo FRENCH (1847- _——) ; ; 

No. 245— LANDSCAPE 


PANEL 


ie aT RES Height, 12%, inches; length, cee : 40 % 
Tue foreground is filled with marshy water whic eK blue of 


the sky in tones of gray. Its surface is interrupted by spiky reeds, pale — 
yellow growth and a sprinkle of white flowers. Some distance back, at the left, — 
a duck is swimming, while in the same plane at the right appear the reflections 
of four branchless trunks that grow on the farther bank. ‘They are inter- 
spersed with three trees, crowned, respectively, with yellow, green and yellowish- 
brown foliage. In the middle distance, at the left, the seated figure of a woman 
in a white hat is seen against a strip of creamy green. 


Signed and dated at the lower left, “I. Damoyg, 88.” 


io" EDOUARD ROSSET-GRANGER 


FRENCH (1853- __) 


No. 246— THE JEWEL CASE 


o ( & be Height, 18 inches; length, ie ee 
A youne lady, seen as far as the waist, sits looking down at a pearl necklace, of 
which she holds the ends with extended hands, as it lies across an open jewel 
box. The latter rests upon a table at her right, which also supports an electric 
light standard, fitted with a yellow shade. Meanwhile, a rosy glow comes from 
the right and illumines one side of her face and touches here and there the 
lavender-pink of her teagown, which is embellished with lace at the neck 
and sleeves. 


Signed at the lower left, “EX. Rosset-GRraNcER.” 


GABRIEL CORNELIS VON MAX 


AUSTRIAN (1840- ) 
No. 247— SUSANNE 
a ye 7 ne Height, 19 inches; width, 151% inches EL 


Facrne three-quarters to. the right are shown the 
head and bust of an attractive young woman. Her 
black, rather wiry, hair is parted on the crown, 
whence it waves over the sides of the head and 
streams down behind the neck, one of the curls en- 
croaching upon the right shoulder. The complex- 
ion is of ivory whiteness, faintly suffused with rose 
on the cheeks, while the lips are carmine, and the 
eyes, which gaze at the spectator, are hazel-brown. 
The shoulders and bust are nude, save for a bit of 
yellow-green drapery which the girl holds over her 
bosom with the left hand. 


Signed at the upper right, “G. Max, Susanne.” 


6) © ~ 
-~ Mes 
of 
JEAN LOUIS ERNEST MEISSONIER 
FRENCH (1815-1891) 
No. 248— JOUEUR DE BOULES, ANTIBES 


PANEL 


7 SS. — Height, 54%, inches; width, 4 VE t, ; 
ea ye one of the artist’s 


Tue sketch is a recor 

visits to the picturesque town of Antibes, on 
the Mediterranean coast, between Nice and- 
Cannes. It is made on a panel of polished 
wood, the grain of which is exposed, except 
where the figure is painted. The latter repre- 
sents a man of sturdy build, facing in profile 
toward the right, as he stands with the left foot 
shghtly advanced. His rubicund face, fur- 
nished with graying side-whiskers, is sur- 
mounted by a white hat that is trimmed with a 
brown band. The man is in his shirt-sleeves, 
dressed in creamy-white trousers and a drab 
waistcoat, at the armhole of which appears a 
glimpse of his yellow suspenders. His hands are 


held behind his back, as he grasps two bowls, preparatory to rolling them. 


Stamped at the back, “Ventre Metssonter, 1893.” 


Signed at the lower right, “K. M.” 


JEAN LOUIS ERNEST MEISSONIER 


FRENCH (1815-1891) 


No. 249— LA VIEILLE FEMME FILEUSE, ANTIBES 


PANEL 


a ) 3 ae Height, 7 inches; width, 5 inches / Z & 
v ~ VD __ 
; a 


- Tuer sketch is executed o panel of polished 
wood. It represents an old peasant woman of 
Antibes, seated facing three-quarters to the 
right. A distaff is fixed under her left arm and 
her hands are disposed in the gesture of spin- 
ning. Her head is covered with a cap which 
runs back to a peak and is furnished with 
flounces over the ears. She wears a pale blue 
handkerchief, dotted with white, fastened round 
her neck. The sleeves and body of the gown are 
merely indicated by reddish shadows, the skirt 
being touched in sketchily with white. Mean- 
while the rendering of the apron has been 
carried further, the folds being developed in 
tones of olive drab. 


Stamped at the back, “Vente MEtssonier.” 
Signed at the lower left, “KK. M.” 


res EUGENE BOUDIN | 


Y 
FRENCH (1825-1898) 
No. 250— QUAI DE LA DOUANE, VENISE 
PANEL 
a i Height, 121% inches; width, 9 inchon 7 ( 


SEEN beyond the foregroundfof water, the Cus- 
tom House Quay extends from some brown- 
roofed buildings at the left nearly across the 
middle distance. A picturesque tangle of ship- 
ping is moored in front of it. The mass in- 
cludes some barges with single masts, from one 
of which flies a gray flag with a touch of scar- 
let, and an ocean-going, square-rigged craft, 
against whose black hull shows the top of a 
green mooring post. Alongside the larger ves- 
sel lies a barge with a man in the end of it, 
who seems to be hailing a rowboat, containing a 
seated and a standing figure. In the distance 
at the right are indications of buildings, under 
a gray, weathery sky. 


Signed and dated at the lower left, “Venise, 98, E. Bouprn.” 


MLLE. ROSA MARIE BONHEUR 
FRENCH (1822-1899) x 


No. 251— A MOUNTAIN DONKEY 


Cea 


ee Height, 13 inches; width, 91% inches (e 
3 Sj 3 ef 3 2 y j { 
Bee = Uktn 
r ; 


Acainst a background of bright green moyntain, 
which is succeeded by another of violet green hue, a 
reddish-brown donkey, of Spanish breed, stands 
three-quarters in view, facing away from the spec- 
tator. The beast’s head is free of gear; but on its 
back is a rosy scarlet saddle, furnished front and 
rear with a padded roll. Stirrup irons hang from it 
and a red strap passes round the quarters under 
the tail. Over the root of the latter lies an orna- 
ment, composed of scarlet string and fringe. The 
head is seen against a shaded hollow in the moun- 
tain’s side. 


Stamped on the back, “Vente Rosa BonHEwrR.” 


Signed at the lower right, “Rosa BonHeEvr.” 


4 ha Ojo 


EMILIO SANCHEZ-PERRIER 


SPANISH ( -1907) 
No. 252— RIVER LANDSCAPE 
ats 
3 “7 ue o> | Height, 1034 inches; length, 14 inche 0 : 


— 


Pate blue water whitened with reflections of the sky, ge from the right 
of the foreground and indents irregularly the ground which occupies the left 
of the composition. At the edge of the water a woman, seated in a rectangular 
box, 1s washing laundry. ‘Two pieces are spread near her. In the middle 
distance a couple of washerwomen appear hard by a group of four, whose 
costumes comprise spots of lavender and geranium-red. ‘The riverside which 
is of sand, stony and sprinkled with rushy growth, is bounded in the rear by 
a gray hedge of willows, over the top of which rise some trees with yellow 
foliage. 


Signed at the lower left, “E. SancuEz-PErnier.” 


4> JEAN LOUIS ERNEST MEISSONIER 
E i : FRENCH (1815-1891) 

No. 253— ESQUISSE D'UNE TROUPE 
"3 eo oe 


A pras road, sketchily rendered, leads back diagonally from thq right of the 

foreground. It surmounts an embankment which is indicated pt the left by V 
pale blue and green brush-strokes over an underpainting of reddish buff. A 

single horseman approaches on a bay mount. He is distinguished by a scarlet 

tunic. Behind him ride a couple of troopers, respectively on a white and 

dark brown charger. These are followed by the rest of the troop, riding two 

and two. One of them, mounted on a white horse, is apparently carrying the 

colors. The sky is sapphire-blue, crossed by fleecy rollers of dove-gray. 


Stamped on the back, “Vente MEIssoNiIEr.” 


Signed at the lower right, “KE. M.” 


Height, 5 inches; length, 8 inches Y Lf Titles 
gL cd / Noe ye iia 


LUIGI CHIALIVA 


ITALIAN (1842- ) 


No. 254— SHEPHERDESS 


y, 1, ee Height, 14 inches; width, 1034 inches 

In the foreground a shepherdess faces us, as ade with her left hand, 
holding a stick, resting on her hip and the forefinger and thumb of the other 
hand placed upon the forehead of a black-and-tan dog. Her chestnut hair is 
partly covered with a bluish-white cap, while her figure is clad in a drab cloak 
with olive-yellow collar, a lavender body, dull blue apron and dull salmon- 
colored petticoat. Her sheep are dispersed around her, conspicuous at the 
right being an ewe with her lamb nestling at her side. In the rear appears a 
man on horseback, stooping to talk to a girl. 


Signed at the lower left, “LL. Cutariva.” 


2 EUGENE BOUDIN 


“al FRENCH (1825-1898) 


No. 255— TROUVILLE \ 


PANEL 


eo 
3b A, = Height, 91, inches; length, 12% inches (eo. A of VY Wh ya 


From the left, where 
there are indications of 
buildings overhung with ie 
soft masses of green trees, 
a quay extends back diag- 
onally to the middle dis- 
tance, where a_ metal 
bridge of two spans 
crosses horizontally to 
the right. The quay-side 
is crowded with sailing 
barges, whose dark brown 
and olive-drab hulls are 
reflected in the fore- 
ground of water, along 
with a little blue from the upper sky. Conspicuous amidst the confusion is a 
white sail, over the top of which appears a spot of rose. Farther back a large 
hull displays a green band round the gunwale. At the right of it two gray 
mooring posts rise above the water. Beyond the bridge are visible drab and 
white sails and the square yards of a vessel. White masses of cloud float above 
the pale, dove-gray horizon. 


Signed at the lower left, “Kuve. Bouviy, Trouville.” 


5 
~ ¥ 
> ‘ 

¥ 


\ 
¥ 


<a, 3 WILLEM MARIS 
\ ie \f hy 
N\A f NS HOLLAND (1844-1910) 


No. 256 PASTURE AND COWS 
} 


Ve 4 f ee £* Height, 10 inches; length, 12%, inches fen wecllyr road 


Tue water in the foreground is broken up with tones of silvery-gray, violet, 
amber and rosy lavender, and tinged with the red and yellow reflections of two 
cows. ‘These are standing on a point of land that projects from the right, 
covered with scrubby long grass, yellowish-green, passing here and there into 
tones of amber and red. Near the extremity a dark brown cow, with a crimson 
glow on her hip, stands facing away from the spectator. At her right stands 
in profile a yellow cow with white muzzle and belly, the top of her back catching 
the light. The water extends back at the left to a white line, above which 
are indications of a windmill and woods. The cool blue sky is scattered with 
creamy vapor, which has settled thick above the horizon. 


Signed at the lower left, “Wittem Maris.” 


ho /< 
Sf 


JOHANNES HENDRIK WEISSENBRUCH 


HOLLAND (1824-1903) 


No. 257— THE CANAL NEAR BASKOP 
PANEL 
[ 5-0 Ree: Height, 8 inches; length, 15% panes 3 L, 


Tue white mer rae 
in the center of the sky are 
reflected in the canal which 
stretches directly back from 
the foreground. The surface 
is also dyed with patches of 
pale green and darkened at 
its edges with the shadow of 
the banks. On the right a 

— . row of willows with soft yel- 
low foliage extends back to one of dark olive hue. Where the canal disappears 
from sight a woman, in black gown and white cap, is stooping to the ground 
near two tubs, containing laundry. At the left of the foreground a brown 
cottage, with white frames round the windows and a wooden leader from its 
thatched roof, is seen behind three tall willows. 


Signed at the lower right, “H. WrissENBRUCH.” 


JOHAN BARTHOLD JONGKIND 


HOLLAND (1822-1891) 


No. 258— MOONLIGHT ON A CANAL 


/ 4 = oe _ Height, 13 inches; length, 17 inel 


Tue surface of the canal, stretching back from the foreground, is mottled wit 
the reflections of a swirl of creamy and slaty purple clouds that surround the 
full moon. It is also shaded by the dark hulls and tangle of masts, yards 
and ropes of barges, moored alongside a quay at the right. Here appears the 
entrance to a side canal, in front of which rises a tall, straight stem that 
forks out at the top and spreads its scanty foliage against the pale blue of 
this part of the sky. At the back of the water a windmill rears aloft near a 
house that is distinguished by a large window, illumined with a red glow. 


Signed and dated at the'lower Nght, “Joeman 
LES A 
Gurlboechbuverr JAX G 
Ji p22 De fh or va 0. Iu Ante 


i\' hs WILLEM MARIS 


vais HOLLAND (1844-1910) 


No. 259— (y GOOSE AND GOSLINGS 


2 G fo < «e Height, 181% inches; width, 14 inches (/ Vn Argh CL, ah, ”Y 

Over the juicy yellow-green grass of the foreground a white goose is conduct- 
ing her brood of tiny goslings. Three precede her, while five are clustered in 
her wake, two others being still in the water, which crosses the middle distance. 
The surface is dyed with lavender-purple and the yellow reflections of the large 
leaves which overhang the pond. They sprinkle the limbs of some trees that 
are seen against a farther mass of dense brown foliage. The latter discloses at 
the top a peep of blue sky. At the left of the foreground, with her blue head 
tucked close between her shoulders, sits a duck. 


Signed at the lower left, “W11teEM Manis.” 


‘s pt’ | 
> sas | JACOB MARIS 
/ i" HOLLAND (1838-1899) 


No. 260— _A PINK ON SHORE AT SCHEVENINGEN 
el Os Sinn 
A Hoxranp “pink,” its creamy-yellow sail lowered nearly to the gunwale, lies 
beached-in the foreground. Blue, white and red stripes decorate the tip of 
her mast, from which a red pennon flies. The bow shows the painted device 
of a gray semicircle, marked with two blue chevrons. A cart is drawn up 
alongside, with a white horse in the shafts. The driver is dressed in yellow 
oilskins. The olive-buff and greenish coloring of the boat’s hull is reflected on 
the damp sand, which elsewhere is broken up into tones of silvery drab. 


Signed at the lower right, “J. Marts.” 
Collection of N. W. Van Delden, Amsterdam. 


Height, 19 inches; width, 16 inches. 


aa 


C- 


ARTHUR HOEBER, A. N. A. 


, 


\ 


AMERICAN (1854- ) 


No. 261— THE SEA 


y i a Height, 14 inches; length, 22 inches -) —f 
¥ Hun A_ 


A HEAVE of water, sliding across the middle distance, lobs up at the left to a 
white crest, and along its line is flicked into lesser points. Its hue of greenish- 
blue is streaked with cream and faint rose and lavender. The horizon is suf- 
fused with primr se-drab vapor, slightly tinged with rose. | 


Signed at the lower left, “Arvruur Hoeser.” 


A \ 
Ee . ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 
No. 262— UPON A SUMMER’S DAY 
rf o.—tvv Height, 25 inches; length 30 inches 


3 fi: oe rr - YWLa 
Across the foreground extends a rude wall of rocks, greenish-gray and amber 
in the light, and in the shadows violet and bluish. Beyond this extends the ( 
green, faintly blue, sea, interrupted in the distance at the right by a schooner 
with white sails, one with her masts bare, and a boat with a single sail. Layers 
of creamy cloud bar the pale blue sky, which deepens to slate at the right. 


CO UVL 
a 
A 


Signed at the lower right, “Arvuur Horser.” 


HENRI REGNAULT 


FRENCH (1843-1871) 


No. 263— . THE HEAD OF AN ARAB 


cy 00 v.& Height, 18%, inches; width, 16 tr . ) ft, Pe 


THE swarthy face, reddish-brown, gray and glossy in the Kigh lights, wears a 
black moustache and short, thin, curling beard around the cheeks and chin. 
The head is very slightly inclined to the left, the eyes looking down. A whitish 
drab cloth covers the crown, a touch of yellow showing over the black curls at 
the left, while behind the hair at the right hangs a golden creamy neck-covering. 
A little of the pale, slaty-gray robe appears at the base of the long neck. The 
whole is sketchily but vividly rendered against a white background. 


Sedelmeyer stamped on the back. 


Signed at the lower right, “A mon ami, Vayson, H. R.” 
From the HE. Lyon Collection, Paris, 1903. 


; Py 
JA“ ADELBERT CUYP 
HOLLAND (1605-1691) 


No. 264— LADY AND HORSE 


PANEL 


Oe Height, 14%, inches; width, 111% ALLA (3 ( p us 
Oo e 0 < R_ se Seow 


A DAPPLE-GRAY palfrey, with scarlet ribbons hanging from the sites of his 
bridle, occupies the center of the foreground. He stands beside a lady who 
turns her head to look at him, as she sits on a mounting-block at the left. Her 
hair is decorated with a jewel from which a rose and a gold scarf hangs, 
the ends being crossed over her bosom. Her body is encased in a short- 
sleeved, tight-fitting tunic, like a cuirass, of pale creamy green and rose 
striped material. A rose-colored drapery covers her lap, on which her right 
hand rests, while an orange-tawny and white spaniel, standing on his hind legs, 
licks it. In the shadow behind the lady a negro holds a crimson cloak, bunched 
on his head. Elevated in the rear are a statue of a figure, clad in a toga, and 
a terminal surmounted by the wreathed head of Priapus. 


Black seal on the back. 
Signed at the lower right, “A. Cuye.” 


rf 


on Al 


Wo 
PIETER BREUGHEL, THE ELDER 


FLEMIsH (1525-1569) 


No. 265— _ LANDSCAPE WITH CANAL 


PANEL 


l ad Height, 18 inches; lengiHry 29 inches Vy 
Woo Peo EVE VY 


~ 


A cana stretches from the 
left of the foreground to a 
single-arch bridge, furnished 
with a toll-house, in the 
middle distance. Near its 
right extremity stands a red- 
gabled tavern, in front of 
which appear a hooded 
wagon and a crowd of people. 
In the immediate foreground 
on this side a woman is 
seated in a cart drawn by a 
single horse, on which a man is riding. Among the figures which animate the 
front plane, and present in their costumes hues of scarlet, blue, gray and 
olive, are three men, toward the left of the center, who are forking what looks 
like hay into a wagon. Sail boats are drawn up on the edge of the canal while 
in midstream is a ferry-boat, laden with cows. 


| y wt , 
vat JACOB VAN RUISDAEL | 


‘4 
\, \ HOLLAND (1628-1682) 
No. 266— LANDSCAPE WITH FIGURES 
oe ae 
G ES a Height, 29 inches; width, 251%, inghes. f” \ {i} 77 


A seg sy 7 oF 
nm! 3- Mots 


A u0e lies across the left of the foreground. A few feet back some(Bushes grow 
at the base of a greenish-brown oak trunk, with corrugated bark, which leans 
slightly to the left. Near it is another, with grayish-green stem, similarly 
inclined. In front of it a man is seated with his back to us. He is dressed 
in a black felt hat, a buff coat, and high boots with scarlet flaps. Beside him, 
on a roadway, stands another man whose costume comprises a drab hat, dark 
green belted coat, red stockings and white flaps to his boots. Farther back in 
the roadway, in the shadow of some trees on a knoll at the left, a figure in black 
approaches. 


An imperfect signature near the log suggests, “RuisparL, fet.” 


JAN MONCHABLON 


FRENCH (1855-1903) 


No. 267— VUE DE CHATILLONS, VOSGES 


ys oe F ; rt . : 
Pi a PS a Be tirtli-wv4 f- Lith 


/ 


Aw elongated triangle of very yellow herbage, sprinkled with g—little green 
vegetation and some small boulders, stretches across the nel from the 
right. Its diagonal line is paralleled by a pinkish-brown strip of newly plowed 
soil, at the right extremity of which a shepherdess and her flock are seen in 
front of a wall that fronts a shed. The parallelism is continued by a strip of 
green, where some cows are feeding. After this the ground, broken up into 
patches of cultivation, slopes up to an eminence, crowned by a village of red- 
roofed houses. Above them rises a tower, surmounted by a spire. 


Signed and dated at the lower right, “Jan Moncuasion, 1891.” 


JEAN FRANCOIS RAFFAELLI 


FRENCH (1850- ) 


No. 268— LE CHIFFONIER 


PANEL 


ot v4 Fos aed Height, 19 inches; width, 13%; es: ro 4 


roe oo Tue rag-picker sits three-quarters to the 
zs right on the rim of a tall basket, balanc- 
ing his body by resting his right hand on 
the opposite edge. Behind him, at the left, 
is a bank of sandy soil, tufted with scanty 
vegetation, while at the right the low 
ground extends back along a sheet of 
water, the monotony of which is broken by 
a small boat. Across the water are indi- 
cations of a red roof and a factory smoke- 
stack. A black soft felt hat covers the 
man’s head, which is turned to the specta- 
tor, revealing a face shaggy with brown 
side-whiskers and beard and a moustache 
and patch under the lower lip of buff color. 
Round his neck is knotted a blue handker- 
chief; the rest of his attire consisting of 
an olive-slaty coat over a white shirt, a pair of bluish-yellow trousers and 


low shoes. 


Signed at the lower left, “J. F. Rarrar it.” 


Ce ca! al 


SL su = 


FELIX ZIEM 


No. 269— PUBLIC GARDENS, VENICE, MOONLIGHT 


FRENCH (1821-1911) 


Height, 1614, inches; length, 25 inches 3 (| bee 


A section of the parapet of the Public Gardens of Venice pfojects from the 
left of the middle distance, interrupted.near the center of the composition by 
the steps and balustrades of the water entrance. The trees of the garden present 
masses of golden-brown tones which are reflected in the deep blue water that 
reaches to the foreground. ‘Toward greenish-blue mooring posts, grouped 
near the landing, a black-hooded gondola is approaching. Two passengers are 
visible, one of them being distinguished by a white headdress and a scarlet 
cloak. Another gondola, with a red light attached to the front of its hood, is 
crossing to the right, cleaving the dripping reflections of a waning moon that 
hangs in gray vapor over the brown shore of the Lido. The upper sky at the 
left is blue, diagonally streaked with cirrus. 


Signed at the lower left, “Ziem.” 


ae ARTHUR HOEBER, A. N. A. 
AMERICAN (1854- ) 
No. 270— THE FLOWING TIDE 


| } 
a oe Height, 22 inches; length, 30 inches J VL i / uy, 
/ — "4 v So i L- y 


In the middle distance, at the right, the square-rigged”sails of a vessel, and, 
near to the center, the still farther sail of a fishing boat, loom phantom-like 
against the faint lavender vapor which is banked over the horizon. Above it 
emerges the upper half of a full moon. Its reflections form a path to the 
front, where the greenish-gray sea becomes pale sapphire, mottled with rose 
and lavender, as it winds its way over the sandy foreground. 


Signed at the lower right, “Arraur Horser.” 


> D 
ARTHUR HOEBER, A. N. A. 
, AMERICAN (1854- ) 
No. 271— WOODLAND SOLITUDE 


cee 


i’ 
SF rs Height, 25 inches; length, 30 inches zy hes Td 
1 ae GRIN Sola ae 
7 & = oO = te Vw Ut MU""—__ 


Tue water, at the right of the foreground, is striped with the oli¥e-green 
reflections of some oaks which are clustered on a projecting point of ground. 
A smaller point at the left is distinguished by three tree-trunks, growing close 
together. In the rear the pool is bounded by a horizontal screen of woodland, 
where the foliage glows with yellow light, as if there were an opening beyond. 


Signed at the lower left, “Arruur Horner.” 


EMILE VAN MARCKE 


FRENCH (1827-1890) 


No. 272— SHEEP IN THE PASTURE 


PANEL 


Besa aig Pana: Height, 13; inches; oye a ( Reo 


Turee sheep are lying in the foreground of a pasture, eS at the right 
being half in shadow. Behind the other two stands a blackish¢brown sheep, at 
the left of which a white one is feeding, its body seen in profile, enveloped: in 
shadow. ‘The field is bounded in the middle distance by a horizontal line of 
fence, about the center of which rises a young tree, bushy with yellow foliage. 
At the right of it a man in a sapphire-blue blouse leans on the top rail, talking 
to a woman in a white cap and rosy bodice, who stands on the farther side 
of the fence. The shepherd’s black dog has left him and is racing toward 
the right. 


Signed at the lower right, “km. Van Marcxe.” 


CONSTANT TROYON 


FRENCH (1813-1865) 


No. 273— SHEEP IN THE PASTURE 


PANEL 


Yas Height, 13 inches; width, 10 inches 


0 as Ue bie “MN WL. Leo Lee 


Tue face of a sheep, lying beside another in the foreground, catches the light 
and forms the focus point of a scheme of golden yellow-brown tonality. At “the 
left of the foreground a stick lies on the grass beside a dark green bush. Over 
the top of the latter appears the back of a sheep, seen in profile, which is 
paralleled by another. A fifth sheep stands, cropping the grass, at the right; 
while still another faces us, lying down at the back of the scene. 

A seal at the back, also a statement in writing, “I FRIES: this painting an original work 

by C. Troyon—WitiiaAM Scuavus.” 


Signed at the lower left, “C. 'Troyon.” 


t— 


b 


Cee EMILE VAN MARCKE 
YL yRENCH (1827-1890) 
No. 274— CATTLE RETURNING HOME 
PANEL 
~ -) q fied 
Pie age ah) Height, 81, inches; width, Wyle wy: Aen He. Ura 
7 A ities marke iy A+ 4 


ruts and bordered with deep 
green stubbly grass, curves 
back from the center of the 
foreground. It leads back to 
a belt of sandy soil that cuts 
the composition horizontally. 
Above the edge of it appear 
the upper parts of two cows 
and of a woman in white cap 
and pale blue garment, as 
they descend the opposite 
side. The woman is followed 
by other cows which are fully visible, the procession being concluded by a 
woman who bends beneath the load of a faggot. She is seen at the left of a 
willow that has greenish-brown foliage, growing from a dark olive trunk which 
reflects a little gray light. At the right of the foreground is a stretch of 
buff, overgrown with some tall reedlike growth. The sky is gray, with one 
globule of light, floating over a few streaks. 


Signed at the lower left, “Em. Van Marcxe.” 


a : 
Yop)! 
CHARLES EMILE JACQUE 
FRENCH (1813-1894) 
No. 275— _ FEEDING TIME 
ss) wb Height, 184, inches; width, 15%, inches NS 
eo O¢ (/ f-4A4a oe "a ‘4 Lacltn 


ly the foreground of the stable a black cock with a wealth of gold feathers 
around his throat stands proudly among his hens. Some are picking at what 
appears to be bright yellow corn, while a reddish hen and a gray one are 
attacking some curly cabbage leaves which le near a drinking trough. Mean- 
while, as if in response to the cock’s summons, two hens are hurrying down a 
ladder, which leads to an upper door at the right; the foremost bird having 
sprung into mid air with extended wings. The angle of the stable walls is 
wreathed with cobwebs, at the left of which a lantern hangs beside a small 
window, the sill of which is strewn with straw. 


Signed at the lower left, “Cu. Jacque.” 


ANTOINE VOLLON 


FRENCH (1833-1900) 


No. 276—_ THE FISHERMAN’S RETURN 


SU a) to Height, 18 inches; length, 22 neh ess fs 
face Lye Ye 
A FISHERMAN and his little child, followed by the wife carrying a basket, advance 
to the front along a roadway that leads directly from the sea. The latter, 
shows in a pale blue band between the cottages which flank the extremity of the 
road. At the right appears a gable end, above which a flock of gulls is flying. 
Adjoining it is an olive-brown thatched roof, cut by a rose-red chimney. An- 
other chimney rises at the left beside a bit of reddish-brown roof and a creamy 
white gable that catches the ight. They show above a mass of greenery. The 


sky is of robin’s egg blue, silted over with a little sooty vapor. 
Signed at the lower left, “A. Vouton.” 


aie Ne pie 6 ie 


a 2 ( EUGENE FROMENTIN ; eE 


oe FRENCH (1820-1876) Ay ~ ie 
No 277 HUNTING WITH FALCONS Je Re 


ot = = rae Height, 151% inches, length, 26% inches // 
<5 : 


Turee mounted Arabs are stationed at the right of the foreground, on the 
edge of a shallow marsh which occupies the middle distance. Here, toward the 
left, a horseman is coming forward at the gallop with hand upraised, as he fol- 
lows the course of two falcons which are hovering above a heron. Farther 
back, another rider gallops forward and other horsemen are dotted around the 
edge of the swamp. ‘The leader of the group in the foreground, wearing a 
white burnoos and swathed about the body with scarlet, is mounted on a 
lavender-roan steed. At the right of him, his back to the spectator, an 
attendant, with a falcon on his shoulder, sits a blue roan, while facing us is 
another, mounted on a dove-colored horse, who holds a bird on his uplifted 
wrist. 


Signed at the lower left, “Kuc. Fromentin.” 


Vi - \ FRENCH (1827-1890) Vat 


No. 2 


(4 9 EMILE VAN MARCKE " a 


Shook A THE PASTURE—EVENING 


bh, & i“ " 
2/7 g “Ps, +, * — _ Height, 20 inches; length, 25%, UNS rr 
a wi =n the foreground of the past a 
pale reddish cow, marked (with 


creamy white, stands a trifle inclined 
from the front, but turning her head 
to the spectator. One horn shows 
against the rich red-brown coat of 
another cow, as she looks back toward 
a brown with white face and chest 
which stands in the middle distance. 
Still farther back a yellow cow is 
lying under a tree which crowns the 
slope of the pasture at the right. 
Over at the left of the summit is a continuous mass of amber-brown foliage. <A 
blackberry bush with white blossoms occupies the right of the foreground. 


Signed and dated at the lower right, “Em. Va~ Marcxe, ’69.” 


eel 


0 ANTOINE VOLLON 


FRENCH (1833-1900) 


No. 279— STILL LIFE 
Height, 24 inches; width, 19%, pughes . i, 
Vey 


PLAT —fhAL/AL ,ASA, 
Ona plain deal table, partly covered by a green dete ae a white / 
china bowl, containing two very large yellow pears and an orange. These ate! 

flanked by some amber grapes, while a bunch of purple ones lies at the right. 

Behind it stands a gilt embossed flagon with a wide, flaring lip, at the left of 

which appears a deep blue bottle-shaped vase of Oriental ware. The objects 

are seen against an orange tawny brown and greenish background. 


Signed at the lower left, “A. Votton.” 


4 


4 et JULES DUPRE fang V4 


rag 0 4 \ FRENCH (1812-1889) 


4" No. 280-- ae 4 THE POND ‘4 yw ph: 


PANEL fu 


aD | | = 
a . Height, 6%4 inches; length, 9 inches / 1% i 
d° f limes : Vd An fA Y oar 


/\AN ponp extends back from the right of the foreground. On the bank at the 
i left two scarlet spots show against a bunch of reeds or shaggy grass; and 


Ja 4d ~ ye = 
ahd 


A 


farther back a brown mass is visible at the foot of an oak. The latter, which 
has several splintered limbs, leans toward the pond. ‘Two cows, a dark red 
and a rosy and white one, are standing in the water near the rushy bank at the 
right. Here a horizontal strip of hight green meadow stretches to a clump of 
rich dark trees in the middle distance. 'They are massed against a blue horizon, 
; over which float bold volumes of white and gray-blue cloud, under a canopy 


: 


of dove-gray. 


Signed at the lower left, “Jutzs Dupre.” 
From the Jules Cronier Collection, 1908, No. 31. 


y a’ 


FRENCH (1796-1875) . ; 


Qo, SI—¢ 7 MORNING ae 


; aca | (PRs ; 
? Height, 10 inches; length, 19 indhes \ we fs = Y, Luts / 
lo See U; pte vA4- Z 


Tue foreground of mossy yellow-green pasture, sprinkled with a few yellow 
flowers, extends to a band of whitish water which les horizontally across the 
middle distance. It is bounded on the farther side by woods, lavender-gray 
against the grayish-creamy vapor that hovers over the horizon. The sky above 
is clearing to a faint gray-blue. Massed against it at the left is the softly 
blurred, yellow-olive-gray foliage of a bunch of three willows which occupy the 
foreground on this side. Against the trunk of one of them leans a woman 
whose costume includes the suggestion of a red cape and a whitish apron over 
a drab petticoat. Her cows are strung along the waterside. A red and a white 
one are turned toward the right; a red with white head faces us, and a black, 
whose body is toward the water, looks round to the front. 


Signed at the lower right, “Corot.” 


4 
JULES DUPRE 
FRENCH (1811-1889) pl? 
0 As a MORNING fp. 


On the left bank of a pool extending back from the right of the foreground 
stands an oak. ‘The white light catches its trunk and some of the boughs. 
These grow out of a bunch of deep green foliage and are scantily fledged with 
yellowish-brown leafage, touched with rose at the top. A willow grows on a 
spit of bank that projects from the right. Here a punt les, with a man in 
it whose cap and shirt reflect the hght sharply. Large white clouds float over 
the horizon in a blue sky. 


Signed at the lower left, “Jures Dupre.” Height, 16 inches; width, 13 inches. 


CHARLES FRANCOIS DAUBIGNY 


FRENCH (1817-1878) 


No. 288— RIVER LANDSCAPE—HARVEST MOON 
PANEL 


_ € ee Height, 14%, inches; length, 26% inches cq C) 

2 S00 Q +7 Ae 
Tue bluish-green water, reflecting the orange-yellow hues of a harvest moon, 
appears within a horseshge of bank. The latter sweeps boldly down from 
the right across the for@g¥ound, terminating in a reedy spit. At the summit 
of the slope a poplar rises out of a clump of rich green foliage. Adjoining it, 
at the left, is another eminence, covered with a group of cottages, one of whicli 
has white walls and a rosy roof. From this point the line of bank, brushed 
in with vigorous strokes, crosses horizontally to the left, where, between the 
stems of some trees, the moon shows. In a little rushy inlet in the center of 
the foreground, two black ducklings are swimming. Three white and brown 
ones are approaching the water, while a black hen stands half-way up the slope. 


Signed at the lower right, “Dausicny.” 


} . 
CK 
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NARCISSE VIRGILE DIAZ DE LA PENA 


\. rrencu (1802-1876) 


Ww 


No. 284— \ EDGE OF THE FOREST 


PANEL Ya ora 
f7 


Z x) er 4 © Height, 26 inches; length, 301%, inches /) } y 
“. y c ‘ 


% 


Tue foreground presents an open space, covered with soft loosd, yellowish 
grass. It is interrupted on the left by three boulders, one of which reflects the 
light, while a pocket of water in the center of the front catches a glint of blue 
sky. From it straggles back a footpath, along which a woman in bluish-purple 
skirt and old rose cap approaches, bending under the weight of a faggot. The 
upper part of her figure shows against a white pool of water, beyond which 
a stretch of yellow grass extends to some trees. These are silhouetted against 
the blue horizon, over which float smoky masses of white vapor. This central 
interval is flanked on each side, in the middle distance, by a bunch of young 
oaks, fledged with yellow-green. In advance of the one on the left stands a 
single oak with brownish trunk and a sprinkle of leaves. 


Signed and dated at the lower left, “N. Diaz, *71.” 
From the Henry Graves Collection, 1909. 


(Ce) an, Oy 


i 
: 


\ 


JULES DUPRE 


meg aul 


rRENCH (1811-1889) 


No. 285—__ THE OLD OAK | i. 
; 8: ae 


e© — Height, 41 inches; length, 4¥) inches, 
eT 0) ean y a 


Tue golden brown tonality, which envelopes the ground and 
the sky. In the center of the foreground an oak with splinter 
over to the left, its trunk being crossed low down by another f 
top is broken. A fallen tree lies on the ground behind the oak 
is stretched across the left of the foreground. The clearing is 
back by forest. Its density is interrupted in the center by some 


at the left appears the vista of an irregular avenue. “ 


Signed at the lower left, “J. Dupre.” 


D HENRI LEROLLE 


eel 


et 
yy, 


FRENCH (1851- ) 


No. 286— REAPERS NEAR VERSAILLES 


= aed Height, 26 inches; length, 32 inches \f vA VA 
3 cd DS ve VJ yr Lt 


In the evening glow two women are working in the harvest field. One is upon 
her knees at the left of the foreground, binding a sheaf of wheat. Her brown 
hair is uncovered and, as she stoops, her broad bosom shows from the loose 
chemise. <A drab-gray skirt completes her attire. In the center of the com- 
position a pile of sheaves and two separate sheaves, lying beside it, are warmly 


illuminated to an orange-tawny hue. Behind the mass stands another woman, 
bending slightly to the left. She holds a sickle in her right hand, while on 
her left arm lies a small bunch of wheat. Other piles of sheaves dot the stubble 
2 field. In the distance a ridge of purple hills extends horizontally beneath the 
doye-gray horizon, which is barred with sweeps of rosy yellow. 


Signed at the lower right, “H. Lerorix.” 


Ve 


HENRI HARPIGNIES 


Seay, 
© ot 
\ a7 FRENCH (1819- ) 


No. 287— THE BROOK 
5 4 ars, oe Height, 32 inches; width, 25%, inches. ye i AACA J y 


A Brook, streaked with blue and white reflections, comes sliding down between 
mossy banks to the left of the foreground. On the left bank, side by side, are 
two tall trees, clothed at the top with tufts of foliage that show softly against 
the blue of the upper sky. The ground behind them slopes up to the left, its 
edge being interrupted by two bushes. In the middle distance stands a young 
birch, which is crossed at the back by a thicker trunk, wreathed with ivy. 

Signed and dated at the left of the lower center, “H. Harpitentes, 1900.” 


~ 


4, 
Cur. 


JEAN CHARLES CAZIN ++ 


FRENCH (1840-1900) nant 


No. 288— THE THAW 


[+ Ov ito Height, 32%, inches; length, 3914 inches iy, ; r 
J vig Y ] 


Tue desolate foreground is tufted with grayish-buff tussets of dead growth, 
between which the snow has partially melted, discovering patches of yellow- 
green mossy grass. At the extreme right is a square pile of what may be 
stones, overtopped by a scraggy bush. The dunes recede to a long level reach 
of elevated ground, on which, as it begins to slope down at the right, appears 
an obelisk or lighthouse. The slope, in the intervals between the snow, is 
colored, variously, green and sapphire-blue, fawn and cream. The only sign 
of life is eight birds flying at the left of the rosy drab sky. 


Signed at the lower right, “J. C. Cazin.” 


<¢ 5" QSYARLES EMILE JACQUE | 
Ade \y | : 
he FRENCH (1813-1894) ‘ 


THE SHEPHERD ; 


Height, 32 inches; width, 25%, inches. Cr 
ee ce Cae Y rey, 


Tue light sprinkles the silvery trunks and filters through the faa of three if 
oaks which occupy a knoll where a shepherd is watching his flock. Clad in ( 
a soft drab hat, pale blue blouse and olive-green trousers, the man stands in 

front of the middle tree, leaning forward onto his stick. His dog sits with his 

back to the spectator, watching three yearling lambs, one of which eyes him 
‘autiously. Other sheep are scattered over the summit, which is enclosed 

with oaks. 


Ik 99 


Signed and dated at the lower left, “Cu. Jaceur, “75 


From the Dr. Fournier Collection, Paris. 


MADAME MARIE DIETERLE 


yr 
FRENCH (1860- ) 
No. 290— L°7ETANG DE JOBE, NORMANDIE 
5 . Height, 30%, inches; length, 401% inches rE a.) i 
S60d-— CLV Ze 


Tue rushy water of the pool fills the foreground. In the center of it stands, 
three-quarters to the left, a handsome, rather shaggy, brown-red cow, with a 
white face and a white spot on her back. Under her head appears the white 
face, lowered to the water, of a reddish-yellow cow. Farther back, near the 
bank, a yellow calf stands in advance of a fawn cow and beside a white one. 
The background at the left is enclosed with loosely massed foliage of a faint 
green, changing to dove-gray as the trees recede. 


Signed at the lower right, “Marie Diererte.” 


ie ADOLF SCHREYER 


GERMAN (1828-1899) 


No. 291— ARAB RIDERS 
PANEL 
on rs —yy &° Height, 24 inches; length, 14% finches D ips 7 op ) a 
ea lo WuVeag dd Oo Ap hI Me 
Aw Arab cavalcade has reached a drinking fountain, and in t enter of the 


foreground a black horse, glistening with coppery and pugplish tones, has 
lowered his head into the large square water-basin. ‘The rider, seated on a 
yellow saddle, embellished with scarlet, is swathed in white, with a rosy pink 
sash round the waist and a yellow band confining his head-wrap. At the left 
of the fountain the standard-bearer, holding a white and green flag, has dis- 
mounted from his chestnut; while at the right of the basin a man in a scarlet 
and yellow turban stands beside a creamy-white and dapple-gray mount. In 
the middle distance, at the extreme right, two pack horses are approaching in 
charge of a Nubian in a red fez, who is mounted on one of them. An eminence 
in the rear of the fountain is occupied by a cluster of buildings, surmounted 
by a flat dome. 


Signed at the lower right, “Av. ScHREYER.” 


' 


LEON AUGUSTIN LHERMITTE . i] 


FRENCH (1844- ) *% 


oe 


r ae 


No. 292— THE REAPER’S LUNCH t 


Height, 33 inches; length, 43% inches 7 } 


In the Piste ee the foreground of stubble, which is dotted i in a rear att piles 
of wheat-sheaves, a young reaper is raising a pitcher to his lips. His figure, 
which is seen in profile, arched back, with the head held high, is clad in a bright 
straw hat, white shirt and pale blue trousers that are streaked with silvery 
tones. ‘The man faces a young woman in a pinkish-cream sunbonnet, who is 
seated at his right on a sheaf, upon which her right hand rests, as she looks 
toward the back of the field. On the lap of her blue skirt lies her baby, holding 
up its hands to the mother’s breast, which the chemisette exposes. At the 
woman’s feet a little dark haired girl, dressed in a skirt striped with two tones 
of fawn, lies on her stomach beside a gray pot. 


Signed and dated at the lower left, “Luermirre,” 1890.” 


eee eee eee 


\! THEOPHILE DE BOCK 
eros 
Ae? HOLLAND (1851-1904) 
No. 293— MILKING TIME NEAR VOORBURG 
p) & ie bi Ss Height, 47, inches; width, 32%, (eo (7) 
; - Y- Catt“ 


A BROWNISH-DRAB road curves round to the right of a pool to an open gate 
in the middle distance. Some cows are approaching it, followed by a milkmaid 
who carries a brass pitcher. She wears a white cap, olive-black bodice with 
drab-olive sleeves and a blue apron. 


Signed at the lower right, “TurorHite pe Bocx.” 


ae tina CN 


ee eee ree 


a ae 
me 


JOHANNES HENDRIK WEISSENBRUCH 


a sil | HOLLAND (1824-1903) bat I! 


ie 


No. 294— ON THE SHORE 


, ms Height, 40 inches; length, 50%, inches Sf 
Some little way ee at the right the foreground of buff-drab sand is cut into 
by a pool of shallow water. On the far side of it a drabish-brown two- 
wheeled cart, with a white horse in the shafts, is drawn up alongside a fishing 
boat, which shows a pale green gunwale over her yellowish-olive hull. Her 
boom is lowered and the brown-amber sail reefed to it. A brown vane-bag 
flutters from her masthead. The sky is stirred with wind and threatening 
storm; the gray of the horizon being piled with blusters: of creamy buff, 
opening to a flare of cream. 


Signed and dated at the lower right, “J. H. Wetssensrucn, 20 Oct., 1901.” 


Q JOSEF ISRAELS 


c\\t st 
ye HOLLAND (1824-1911) 
No. 295— DOMESTIC TROUBLE 


Height, 381%, inches; length, 52 inches } nf E 
haste MiP rok J 
y | Re A 


A Por ace ite sits disconsolately before a fireless hearth at the left of the 
foreground, while in the rear of the kitchen at the right her husband is drinking 
and playing cards with two cronies. She leans her face against her left hand, 
while the right, with a knife in it, lies on the potatoes in a green earthenware 
pan on her lap. She has an air of extreme orderliness and much refinement. 
A brown cloth protects her scarlet apron and drab skirt. Her bodice is made 
of pretty material, with broad stripes of rosy cream and blue, and her dainty 
cap of white lawn with a net border, edged with lace, shows at the neck a 
fringe of soft blond hair. The light plays over the sad expression of her fresh- 
colored face. ‘The husband is dressed in fisherman’s clothes: blue woollen cap 
and a brown blouse over a scarlet jersey. 


} 


Signed at the lower left, “J. Israrts.” as eis 
From the Du Bois Collection, Amsterdam, 1907. %/] ovo f 


SEEN across the water, as it extends back from the foreground, lies a steamer 
with dark funnel and three square-rigged masts, from which hang streamers of 
blue, rose and yellow bunting. The opposite shore presents a horizontal vista 
of golden-yellow buildings, above which, at the right, soar the dome and four 
minarets of S. Sophia, gleaming white against the sky. The scene on this 
side is framed in with a thicket of masts and sails, in front of which a man in 
red coat is rowing a skiff. From the left of the foreground, where there is an 
irregularly indented brown shore, a long boat filled with gaily dressed figures, 
one of whom offers the contrast of white, is being propelled by three rowers. 
In the distance at the left the skyline is interrupted by a minaret and mosque. 
The sky is of pale robin’s-egg blue, sprinkled with fleecy clouds of rosy cream. 


Signed at the lower left, “Zinn.” fj acs 17e - 4 
ries ~ Fosse 


FELIX ZIEM yr 2 
6 2 7 pees (1821-1911) yt 
ej No. 296— VIEW OF CONSTANTINOPLE 
se. oo ak é ; , A -~ , 
s A UY x p Height, 42 inches; length, 631%, inches Kk 3 i d $-# / 
be % ‘  f— E a ot | of ba 8 , 
“S, IS ¢ bf LX 


a 


45 MADAME MARIE DIBTERLE 


FRENCH (1860- ) 


No. 297— LA REINE DU TROUPEAU 


ae Height, 451, inches; length, 691, frches 7 


oVVIGO — “LL tg ee 


Tue queen of the herd, a beautiful creamy white, varied with lavender-rosy 
tones, stands at the right of the foreground, with one f t in some reedy 
water. The latter is a bit of the sea, which shows in the rear, dotted with 
two sailboats. Above the cow’s back appear the purplish-brown forehead and 
horns of another cow, whose stern is also visible in shadow. In front of it 
stands a yellow calf with white forehead, facing us; while to its left is another, 


_brown and white, which stands beside a cow similarly colored, but in richer 


hues. Other cows are grouped farther back at the left, where a man in blue 
blouse is seated on a bareback, bridleless horse, apparently shouting to the 
remainder of the herd, which is straggling up from some lower ground. 


Signed at the lower left, “DirvEr.e.” 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 


No. 298— HYANNIS PORT, MOONLIGHT 


aes co Height, 16 inches; length, 30 inches Ey ae nH 
REF LeEcTING, at the right, the hues of a full moon that{ hangs in primrose vapor, y 
the smooth water stretches back from the front in tones of green and sapphire. 
In the middle distance at the left, a level shore or wharf lies along the horizon. 
Near the end of it a point of yellow light shows on a pole, while another appears 
farther to the left, amid indications of buildings A steamboat lies off the 
shore, and nearer to the front is a fishing schooner, with her lavender sails set. 


Signed at the lower right, “Arruur Horser.” 


ARTHUR HOEBER, A. N. A. 


AMERICAN (1854- ) 


No. 299— RESTLESS SEA 


a LEAS Height, 25 inches; length, 30 inches Vy aes Bh 
i 


A WAVE is ja diagonally across the middle distance, He cing to the right, 
with a frill of white overhanging its green hollow. In front of it, as the 
ripples scurry forward, their greens pass in and out of dark and light and are 
tinged with buff, whitish-gray and lavender-pink. Over a horizon choked with 
greenish-slaty vapor, the sky is stirred with primrose and flecked with pale violet 
and amber clouds. 


Signed and dated at the lower left, “Anruur Horner, 1907.” 


¢. bear, 39K Ib 


ye (i ge 


AMERICAN ArT ASSOCIATION, 


Managers. 
Tuomas E. Kirpy, 


Auctioneer. 


S REPRESENTED AND 
EIR WORK 


LIST OF ARTISTS REPRESENTED AND THEIR WORK 


CATALOGUE 
NUMBER 
BAUFFE, Vicror 
Mill near Blyewyk : 107 
A Holland Landscape 128 
BERTZIK, A. 
A Lady of the Sixteenth Century 168 
BILDERS, Maria Puitiprine Van Bosse 
Landscape 124 
_ BILLOTTE, Revi 
Route d’Asniéres 182 
Route de la Révolte 210 
BLOMMERS, Bernarpus JOHANNES 
Minding Baby 133 
BONHEUR, Mute. Rosa Marre 
j Cheval Attelé | 719 
Tombereau Attelé d’un Cheval 80 
i Cheval 81 
. Etude: Le Marché aux Chevaux 82 
Vache 83 
A Mountain Donkey 251 
BOUDIN, Evctne 
Quai de la Douane, Venise 250 
Trouville 255 
BOURGAIN, G. 
L’Arrivée des Recrues 102 
BRELING, H. 
Riding Pillion ; 155 
The Prisoner 159 
The Spy 177 


The Drinker 931 


S as: BREUGHEL, Perer, THE Etna Renee shreds ice Sis 
See Landscape with Canal _ Ribegt 


:: BRICHER, Atrrep THompson | (ney eee 
| The Brook sata ee a 


BROCHART, Constant 
Maud Muller 


: BROWN, Joun Lewis 
Study of Horses 


BUCKLEY, J. E. 
Returning from Church : 


CACHOUD, Francois CHar.zs 


Coteau de St. Alban 
Village Street, Moonlight 
Route de Neufchatel, Pas de Calais 


CAZIN, Jean CHarLes 
The Thaw 


CHIALIVA, Luter 


_A Prisoner 
Spring Landscape 
Shepherdess 


CLAYS, Paut JEAN 


Calme sur l’Escaut 
Amsterdam 


COROT, Jean Bartiste CAMILLE | 
Morning 


CRANE, Bruce 
Winter 


CRESWICK, TxHomas 
A Moorland Stream 


CUYP, ADELBERT 
Lady and Horse 


DAMOYE, Pirrre EmmManver 
Landscape 


DAUBIGNY, Cuartes Francois 
River Landscape—Harvest Moon 


DE BEAUMONT, Cuarues Epovarp 
Lady with Swallow 


DE BOCK, TxHoruite 
Milking Time near Voorburg 


DE CUVILLON, Rozerr 
Head of a Girl 


DE LATENAY, Gaston 
Near Bordeaux 


DE NEUVILLE, Atruonse Manrte 


French Officer 
A German Officer 


DE QUIVIERES, P. Maxcorre 
The Fishing Fleet 


DETTI, Cesare 
The Standard Bearer 


DIAZ DE LA PENA, NarcissE VIRGILE 
Edge of the Forest 


DIETERLE, Mavam Marte 
Cows Beside a Pool 
L’Etang de Jobe, Normandie 
La Reine du Troupeau 


DUPRE, JULES 
An Oak Tree 
Study of Trees 
Willows Reflected 
The Pond 
Morning 
The Old Oak 


CATALOGUE 
NUMBER 


245 


283 


95 


293 


oF 


222 


100 
101 


204 


221 


284 


179 
290 
297 


103 
104 
105 
280 
282 
285 


ESTORACH, Antonio Casanova Y 
Tasting 
Fragrance 
Flirtation 


FISCHER, G. 
Hyacinths 


FLAMENG, Francois 
With Bonaparte in Italy 


FOUACE, GUILLAUME R. 
Chicken and Ham 


FRANZEN, Avcust 
Calling on the Squire 


FRAPPA, Jost 
The Singer 


FRERE, PIERRE Epovarp 
A Finishing Touch 


FROMENTIN, EvcEne 
Hunting with Falcons 


FUNK, Herricu 
Landscape 


GEROME, JEAN Lton 
The Tulip Craze 


GOUBIE, Jean Ricwarp 
En Chasse 


GROLL, Ausert Lorey 


The Desert 
Ridgefield 


HARPIGNIES, Henri 


Landscape 
The Brook 


ee oe ee 


CATALOGUE 
; NUMBER 
HEBERT, Anrorne Avucustre Ernest 
An Oriental Beauty 180 


HOEBER, Arruvur 


Early Morning 166 
Late Afternoon 176 
**“Moon-led Waters White” 188 
Hyannis Port Marshes 195 
The Coal Wharf 202 
Cape Marshes 207 
Summer Evening 218 
Evening 241 
The Sea 261 
Upon a Summer’s Day 262 
The Flowing Tide 270 
Woodland Solitude 271 
Hyannis Port, Moonlight 298 
Restless Sea 299 
HUGHES, W. 
Still Life 185 


HULK, Jr., Joun FR. 


Geese and Ducks 109 
A Setter 121 
Geese in a Swamp | 127 
Duck Hunting 130 


ISRAELS, Josrr 


Mother and Baby 115 
Washing Day 116 
Domestic Troubles 295 


JACQUE, CHar.es Emine 
Feeding ‘Time QY5 
The Shepherd 289 


JACQUET, Jean GusTAvE 
Téte Citoyenne 197 


JONGKIND, Jouan BartTHoup 
Winter in Holland 117 
Moonlight on a Canal 258 


KAULBACH, Frepericx Avcust Vous: 


Day Dreams 


KEYSER, E. 


Bringing Home the Apple Bough 


LANGRAND, J. H. 
Rocks and Water 


LENBACH, Proressor Frirz Von 
Portrait of Bismarck 


LEROLLE, Henri 
Reapers near Versailles 


LHERMITTE, Lton Aveustin 
The Reaper’s Lunch 


LOIR, Luter 


Village Landscape 

Rue du Port, St. Cast 
A Paris Street—Evening 
The Harbor—Night | 
Environs du Pont de l’Arche 
Rue a Aubervilliers 
Environs de Clamart 

A Paris Quay—Evening 
Plage a St. Cast 

Bois de Boulogne 


LYNCH, Axsert 


The Black Nightingale 
Mayrath 
MARCIUS-SIMONS, Pinkney 


Sunday Morning, Maisons Laffitte 


MARIS, Jaxon 


A View of Delft 
A Pink on Shore at Scheveningen 


MARIS, Wi1ttem 


Ducks and Ducklings 
Pasture and Cows 
Goose and Goslings- 


MARKS Ernest ALBERT 


Beached 
Low Tide 
Outward Bound 


MASCRE, Oscar Louis Epovarp 
Flowering Fields 


MASTENBROEK, Jonan Henorikx Van 


View of Rotterdam 
A Wharfside 
Sunset 

Morning Frost 


MAX, Gasriet Corneuis Von 
Susanne 


MEISSONIER, Jean Louis Ernest 


Joueur de Boules, Antibes 
La Vieille Femme Fileuse, Antibes 
Esquisse d’une Troupe 


MEUNIER, Jutes ALexis 


Fishermen on the Edge of the Quay 


MEYER, Cravs 


The Letter 
The Student 


MICHEL, Gerorcers 
An Old Oak 


MOLKENBOER, Ayr. 
A City Garden 


MONCHABLON, Jan 
Vue de Chatillons, Vosges 


MOORE, H. HumpnHrey 
The Fortune Teller 

Jnoanw &E, 

MOSLER, Henry 
Haymaker 


CATALOGUE 
NUMBER 


85 
86 
87 


239 


118 
125 
134 
137 


247 


248 
249 
253 


154 


196 
240 


184 


186 


267 


165 
200 


174 


NEUBERT, Lovis 


Near Marseilles 
Near Marseilles 


NOZAL, ALEXANDRE 
Spring Landscape 


PELEZ, Fernanp EMMANUEL 
The Baker’s Boy 


PELLETIER, Pierre J. 


La Folie Nantelle 
Billancourt 
Issy les Moulineux 


PELOUSE, Lion Germain 


The Loire at Vuilla Faux 
Near Bourg-prés-Mortain 
Study of Trees 


PERKINS, Atrrep 
Incoming Tide 


PYNE, R. Lorraine 
Sunset 


RAFFAELLI, Jean Francois 
Le Chiffonier 


REGNAULT, Henri 
The Head of an Arab 


REHN, Frank Knox Morton 
A Summer Sea 


RICHET, Lion 


Landscape with Figure 
L’Almée 


RIP, Wittem Corne is 


Herfstavond near Gonda 
Morning near Gonda 
Molens on the Lek 

On the Rhine near Lienden 
View on the Schie 

Molens near Zevenhuyoen 


RIX, Juxian 


Study of a Snow Scene 
Still Life 
Passaic Valley 


ROBIE, Jean Baptiste 
Roses 


ROSSET-GRANGER, Epovarp 
The Jewel Case 


RUISDAEL, Jacos Van 
Landscape with Figures 


SANCHEZ-PERRIER, Eminio 
River Landscape 


SCHLEICH, Roserr 
Dutch Canal, Winter 


SCHODL, Max 
Objets de Vertu 


SCHREYER, Apour 
Arab Riders 


SCHUCH, Werner 
The Battle of Leipzig 


SIEKERZ, Szyxrer 
Winter 


SIGNORINI, Guiserre 
A Good Story 
A Venetian 
A Cavalier 
Dans le Bibliothéque 
Une Femme Peintre 
Retouche du Professeur 
Riche Arabe Dans Son Fumoir 
Marchand de Curiosités 
Antichambre du Harem 


Doge de Venise 


CATALOGUE 
NUMBER 


194 
203 
219 


226 
246 


266 
252 


161 


234 
291: 
214 
158 


89 

90 

93 
132 
141 
142 
146 
149 
152 
153 


> 


SIMONS, Marcius Prvcxnry 
Gathering Shadows 


STEELINK, WILLEM 


Sheep in Pasture 
Return of the Flock 

_ Sheep Returning Home 
Sheep on the Heath 


SWAN, C. E. | 
Lion’s Head 


TER MEULEN, Francois Pirrer. 
A Shepherdess 


THAULOW, Fairz 
Degel—Norway 


TORREZ, Antonio 
A Spanish Beauty 


TRAVER, G. A. 
Landscape 


TROYON, CONSTANT 
Sheep in the Pasture 


VAN ESSEN, Jan 
A Woodland Pond 


VAN MARCKE, Emite 


Sheep in the Pasture 
Cattle Returning Home 
The Pasture—Evening 


VAN VUUREN, Jan 
Entrance to the Wood 


Serbocelss oven 
VOIGT, A. 


Cows in Pasture 


VOLLON, AnrToINE 


The Fisherman’s Return 
Still Life 


I, Jouannes Henpunx 
Near ee 


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